Burne-Jones, Sir Edward Coley, 1st Baronet
- Burne-Jones, Sir Edward Coley, 1st Baronet
▪ British painter
original name Edward Coley Burne Jones
born Aug. 28, 1833, Birmingham, Eng.
died June 17, 1898, London
one of the leading painters and designers of late 19th-century England, whose romantic paintings using medieval imagery were among the last manifestations of the Pre-Raphaelite style. More long-lasting is his influence as a pioneer of the revival of the ideal of the “artist-craftsman,” so influential to the development of 20th-century industrial design.
Burne-Jones was educated at Exeter College, Oxford, where he met his future collaborator, the artist-poet William Morris (Morris, William
), then a fellow divinity student. His meeting with the artist Dante Gabriel Rossetti (Rossetti, Dante Gabriel
) in 1856 marked a turning point in his career, and he left Oxford without graduating. Morris and he then settled in London, working under Rossetti's guidance.
Burne-Jones's vivid imagination delighted in the stories of medieval chivalry, as is seen in his “King Cophetua and the Beggar Maid” (1884) and “Merlin and Nimue” (1858–59). Stylistically, such works owe much to Rossetti's illustrations, but more often his own dreamworld drew inspiration from the melancholy, attenuated figures of the 15th-century Italian painters Filippino Lippi (Lippi, Filippino
) and Sandro Botticelli (Botticelli, Sandro
), suffusing them with a mood of romantic mysticism. His first big success came with an exhibition in 1877, which included oils such as “Days of Creation,” “The Beguiling of Merlin” (1872–77), and “The Mirror of Venus” (1867–77). From that date until his death, he was increasingly considered to be among the great painters of England. In 1894 he received a baronetcy.
After his death, Burne-Jones's influence was felt far less in painting than in the field of decorative design, particularly in that of ecclesiastical stained glass. He executed reliefs in metals, tiles, and gesso, decorations for pianos and organs, and cartoons for tapestries. Among the latter may be noted the “Adoration of the Magi” (Exeter College Chapel, Oxford
). Besides several illustrations to other books printed by William Morris' prestigious Kelmscott Press, he made 87 designs for the Kelmscott Chaucer
of 1896, considered to be among the world's finest printed books.
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Edward Burne-Jones — Infobox Artist bgcolour = #6495ED name = Edward Burne Jones imagesize = caption = Photogravure of a portrait of Edward Burne Jones by his son Philip Burne Jones, 1898 birthname = birthdate = 28 August 1833 location = Birmingham, England deathdate … Wikipedia
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Western architecture — Introduction history of Western architecture from prehistoric Mediterranean cultures to the present. The history of Western architecture is marked by a series of new solutions to structural problems. During the period from the… … Universalium
painting, Western — ▪ art Introduction history of Western painting from its beginnings in prehistoric times to the present. Painting, the execution of forms and shapes on a surface by means of pigment (but see also drawing for discussion of depictions in … Universalium
Morris, William — born March 24, 1834, Walthamstow, near London, Eng. died Oct. 3, 1896, Hammersmith British painter, designer, craftsman, poet, and social reformer, founder of the Arts and Crafts Movement. Born into a wealthy family, he studied medieval… … Universalium
Pre-Raphaelite Brotherhood — ➡ Pre Raphaelite * * * group of young British painters who banded together in 1848 in reaction against what they conceived to be the unimaginative and artificial historical painting of the Royal Academy and who purportedly sought to express … Universalium
England — /ing gleuhnd/ or, often, / leuhnd/, n. the largest division of the United Kingdom, constituting, with Scotland and Wales, the island of Great Britain. 45,870,062; 50,327 sq. mi. (130,347 sq. km) Cap.: London. * * * I Southern part of the island… … Universalium
typography — /tuy pog reuh fee/, n. 1. the art or process of printing with type. 2. the work of setting and arranging types and of printing from them. 3. the general character or appearance of printed matter. [1635 45; < NL typographia, equiv. to Gk týpo(s)… … Universalium