Pilon, Germain

born 1535, Paris, France

died Feb. 3, 1590, Paris

French sculptor.

His decoration of the tomb of Francis I (1558), a relatively early work, shows an Italian influence, but he later developed a distinctively French expression by fusing elements of Classical and Gothic art with the Fontainebleau adaptation of Mannerism. His best-known works are funerary sculptures for Henry II and Catherine de Médicis at St.-Denis (1561–70). His work represents a transitional link between the Gothic tradition and Baroque sculpture.

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▪ French sculptor

born 1535, Paris

died Feb. 3, 1590, Paris

      French sculptor whose work, principally monumental tombs, is a transitional link between the Gothic tradition and the sculpture of the Baroque period.

      A sculptor's son, Pilon was employed at the age of 20 on the decoration of the tomb of King Francis I at Saint-Denis. His earlier work clearly shows an Italian influence, but eventually he developed a more distinctively French expression by fusing elements from classical art, Gothic sculpture, and Michelangelo with the Fontainebleau adaptation of Mannerism, a style characterized by subjective conceptions, studied elegance, and virtuoso artifice.

 Pilon's best-known works are funerary sculptures for Henry II. It was a custom of the period for men of high estate to assign their remains to more than one burial site—often one for the body, one for the heart, and one for the entrails. Pilon's monument for the heart of Henry II (c. 1561; Louvre) consists of three marble Graces of great elegance supporting an urn. It was perhaps based on a design by Primaticcio (Primaticcio, Francesco). For the principal tomb of Henry II and Catherine de Médicis at Saint-Denis (1563–70), also designed by Primaticcio, Pilon created four bronze corner figures and, above, the kneeling figures of the king and queen in bronze. Most important, however, are the seminude, marble gisants, or figures of the royal pair recumbent in death. Considered by some to be his most sublime achievement, the gisants are a Renaissance idealization of a Gothic convention and possess a depth of emotion that Pilon perhaps never again attained.

      Sculptor royal from 1568, Pilon had a successful career as a portraitist, his finest work in the genre being the kneeling figure of René de Birague (1583–85; Louvre). Appointed controller of the mint in 1572, he contributed to French medal casting a distinguished series of bronze medallions in 1575.

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