Noguchi, Isamu

Noguchi, Isamu
born Nov. 17, 1904, Los Angeles, Calif., U.S.
died Dec. 30, 1988, New York, N.Y.

U.S. sculptor and designer.

He spent his early years in Japan. After premedical studies at Columbia University, he became Constantin Brancusi's assistant in Paris. He was influenced as well by Alberto Giacometti, Alexander Calder, Pablo Picasso, and Joan Miró. His medical training suggested to him the interrelatedness of bone and stone. Much of his work consists of elegantly abstracted, rounded forms in highly polished stone. His long collaboration with Martha Graham resulted in stage sets for many ballets, and he also designed many public sculptures, sculptural gardens, and playgrounds, as well as furniture.

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▪ American sculptor

born Nov. 17, 1904, Los Angeles, Calif., U.S.
died Dec. 30, 1988, New York, N.Y.
 American sculptor and designer, one of the strongest advocates of the expressive power of organic abstract shapes in 20th-century American sculpture.

      Noguchi spent his early years in Japan, and, after studying in New York City with Onorio Ruotolo in 1923, he became Constantin Brancusi's assistant for two years in Paris. There he met Alberto Giacometti and Alexander Calder and became an enthusiast of abstract sculpture. He was also influenced by the Surrealist works of Pablo Picasso and Joan Miró. Noguchi's first exhibition was in New York City in 1929.

      Much of his work, such as his “Bird C(MU)” (1952–58), consists of elegantly abstracted, rounded forms in highly polished stone. Such works as “Euripides” (1966) employ massive blocks of stone, brutally gouged and hammered. To his terra-cotta and stone sculptures Noguchi brought some of the spirit and mystery of early art, principally Japanese earthenware, which he studied under the Japanese potter Uno Jinmatsu on his first trip to Japan made in 1930–31.

      Noguchi, who had premedical training at Columbia University, sensed the interrelatedness of bone and rock forms, the comparative anatomy of existence, as seen in his “Kouros” (1945). On another trip to Japan, in 1949, Noguchi experienced a turning point in his aesthetic development: he discovered “oneness with stone.” The importance to him of a closeness to nature was apparent in his roofless studio.

      Recognizing the appropriateness of sculptural shapes for architecture, he created a work in low relief (1938) for the Associated Press Building in New York City and designed a fountain for the Ford Pavilion at the New York World's Fair of 1939. He also made many important contributions toward the aesthetic reshaping of physical environment. His garden for the United Nations Educational, Scientific, and Cultural Organization (UNESCO) in Paris (1958), his playground in Hawaii, his furniture designs, and his fountain for the Detroit Civic Center Plaza (1975) won international praise. Noguchi also designed sculptural gardens for the Chase Manhattan Bank and the John Hancock Building, both in New York City, and stage sets for Martha Graham, George Balanchine, and Merce Cunningham. In 1982 he was awarded the Edward MacDowell Medal for outstanding lifelong contribution to the arts. In 1985 Noguchi opened the Isamu Noguchi Garden Museum in Long Island City, N.Y. The museum and outdoor sculpture garden contain some 500 sculptures, models, and photographs.

Additional Reading
Nancy Grove and Diane Botnick, The Sculpture of Isamu Noguchi, 1921–1979 (1980); and Dore Ashton, Noguchi East and West (1992).

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Universalium. 2010.

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