Carducci, Giosuè

Car·duc·ci (kär-do͞oʹchē), Giosuè. 1835-1907.

Italian poet considered the national poet of modern Italy. He won the 1906 Nobel Prize for literature.

* * *

born July 27, 1835, Val di Castello, near Lucca, Tuscany

died Feb. 16, 1907, Bologna, Italy

Italian poet.

He taught literary history in Bologna for 40 years and in later years served as a senator. He opposed the prevailing Romanticism and advocated a return to classical models of prosody, but his rhetorical tirades provoked resistance to reform. His best volumes of verse, The New Lyrics and The Barbarian Odes (1887), contain evocations of landscape, memories of childhood, and representations of the glory of ancient Rome. Regarded in his time as Italy's national poet, he won the Nobel Prize for Literature in 1906.

* * *

▪ Italian poet

born July 27, 1835, Val di Castello, near Lucca, Tuscany [now Italy]

died Feb. 16, 1907, Bologna, Italy

      Italian poet, winner of the Nobel Prize for Literature in 1906, and one of the most influential literary figures of his age.

      The son of a republican country doctor, Carducci spent his childhood in the wild Maremma region of southern Tuscany. He studied at the University of Pisa and in 1860 became professor of Italian literature at Bologna, where he lectured for more than 40 years. He was made a senator for life in 1890 and was revered by the Italians as a national poet.

      In his youth Carducci was the centre of a group of young men determined to overthrow the prevailing Romanticism and to return to classical models. Giuseppe Parini, Vincenzo Monti, and Ugo Foscolo were his masters, and their influence is evident in his first books of poems (Rime, 1857; later collected in Juvenilia [1880] and Levia gravia [1868; “Light and Serious Poems”]). He showed both his great power as a poet and the strength of his republican, anticlerical feeling in his hymn to Satan, “Inno a Satana” (1863), and in his Giambi ed epodi (1867–69; “Iambics and Epodes”), inspired chiefly by contemporary politics. Its violent, bitter language reflects the virile, rebellious character of the poet.

      Rime nuove (1887; The New Lyrics) and Odi barbare (1877; The Barbarian Odes) contain the best of Carducci's poetry: the evocations of the Maremma landscape and the memories of childhood; the lament for the loss of his only son; the representation of great historical events; and the ambitious attempts to recall the glory of Roman history and the pagan happiness of classical civilization. Carducci's enthusiasm for the classical in art led him to adapt Latin prosody to Italian verse, and his Odi barbare are written in metres imitative of Horace and Virgil. His research in Italian literature was warmed by his poetic imagination and style, and his best prose works equal his poetry.

* * *