time perception

time perception


      experience or awareness of the passage of time.

      The human experience of change is complex. One primary element clearly is that of a succession of events, but distinguishable events are separated by more or less lengthy intervals that are called durations. Thus, sequence and duration are fundamental aspects of what is perceived in change.

      Manifestly, duration is relative to the events people isolate in the sequences through which they live: the duration of a kiss, of a meal, of a trip. A given interval always can be subdivided into a sequential chain delimiting briefer durations, as with the regular units that provide empirical measures of time: the second, the day, the year. Indeed, human experience is not simply that of one single series of events, but of a plurality of overlapping changes. The duration of a radio program, for example, can combine with that of a breakfast, both being inserted within the longer period of an ocean voyage.

      Humans seem to be unable to live without some concept of time. Ancient philosophies sought to relate the concept of time to some objective reality to which it would correspond. René Descartes (Descartes, René) (1596–1650) inaugurated a critical era of philosophy by stressing the ancient problem of the origin of ideas, including the idea of time. Immanuel Kant (Kant, Immanuel) (1724–1804), providing a radical answer to the epistemological problem of time, wrote that we do not appreciate time objectively as a physical thing; that it is simply a pure form of sensible intuition. Other philosophers of the 18th and 19th centuries sought to explain the notion of time as arising from association and memory of successive perceptions.

      A move to empirical psychology emerged with the growth of research on the introspective data of experience. From about mid-19th century, under the influence of the psychophysical notions of Gustav Theodor Fechner (Fechner, Gustav Theodor), psychologists conducted experiments to study the relationship between time as perceived and time as measured in physics. Their work with adults gradually spread to the study of children and of animals. The psychologists then broadened their investigations of time to cover all forms of adaptation to sequence and duration.

Sequential activities

Adaptation to successive events
      One may respond to stimulation in an immediate way (as in unconditioned reflex action) without taking the element of time into account. Stimulation, however, can also signal an event to follow; then it has meaning only as part of the sequence of which it is the first term: bell announcing dinner, a road sign, or an approaching danger. People react to such stimuli with anticipatory behaviour (human behaviour) that is adapted to a stimulus or action that has not yet occurred. The principles that govern such time-binding adaptation are none other than those of conditioning. One event becomes conditioned as the signal for another stimulus that is to be sought or avoided.

      The bottle-fed infant who initially reacts to the nipple on his lips with a simple sucking reflex is gradually conditioned to stop crying when he sees the bottle (the signal for feeding). Later he may learn to react to even more secondary signals that announce the arrival of the bottle; e.g., being lifted from the crib or hearing the sounds of his mother warming the milk in the kitchen. His behaviour has come to incorporate the temporal dimension of the events.

      According to the principles of instrumental conditioning, one stimulus becomes the signal for an ensuing event only if the second stimulus elicits an adaptive reaction (consummatory or aversive) and only if the order of the sequence is repeated. Conditioning tends to be established most rapidly when the interval between the signal (conditioned stimulus) and the unconditioned stimulus is quite brief. Ivan P. Pavlov (Pavlov, Ivan Petrovich) estimated that the optimum interval for such a sequence was 0.5 second, which corresponds approximately to the intervals characteristic of sequences that are most accurately discriminable perceptually (see below Perception of sequence and duration (time perception)).

      Aside from adapting the individual to the order of a sequence, conditioning also adapts to the duration between signal and immediately effective stimulus. Response to signal tends to occur after about the same interval that separated the two stimuli during conditioning. Thus, an animal may be trained to delay a response for some time after the signal (delayed conditioning).

      This form of adaptation is most pervasive in human behaviour, permitting people to anticipate sequences of events in their environment so that they can prepare to cope appropriately with what is yet to happen.

Adaptation to periodic change
      In 1912 one of Pavlov's students (I.P. Feokritova) demonstrated that a dog accustomed to being fed every 30 minutes would begin to drool toward the end of each half-hour period. It was clear evidence of conditioning to time; the between-feedings interval itself served as a conditioned stimulus.

      That discovery underscores the ever-present periodicity of daily living, especially on the biological (biological rhythm) level: rhythms of activity and sleep, rhythms of eating and lovemaking. As conditioning intervenes, anticipatory experiences of hunger, fatigue, or arousal serve our adaptation to ecological demands.

      Allowance should also be made for the daily, or circadian, rhythms (circadian rhythm) in metabolic activity (e.g., daily cycles of temperature change). There is evidence that these fundamental biological functions can synchronize with the rhythmic phases of environmental (exogenous) change. Thus within a few days after a factory worker has been assigned to the night shift, highs and lows of his daily fluctuations of temperature will be inversed. The rhythmic changes in body temperature persists, nevertheless, suggesting an innate (endogenous) basis for circadian phenomena. Such a hypothesis would mean that the gradual establishment of human circadian rhythms of sleep or temperature results from maturation of the nervous system (nervous system, human) rather than from conditioning in the strict sense. Experiments begun in 1962, in which men lived in caves or other enclosures for months deprived of temporal cues from the environment, also demonstrated the enduring nature of rhythms in body temperature and in sleep–wakefulness. The rhythmic periods, however, sometimes expanded, the subject beginning to live on an approximately two-day cycle without being aware of it.

      Through conditioning to time and by way of circadian rhythms, human physiology provides a kind of biological clock that offers points of reference for temporal orientation.

Perception of sequence and duration

The psychological present
      To perceive is to become aware of stimulation. Awareness of sequence or duration may, at first glance, seem inconsistent with the definition of perceiving. In a mathematical sense, certainly, the present is only a point along the continuum of becoming, an instant when future is transformed into past. Nevertheless, there is indeed a more prolonged psychological present, a brief period during which successive events seem to form a perceptual unity and can be apprehended without calling on memory. There is a perceptual field for time just as there is a visual field. The rate or speed of a sequence determines the limits of the time field.

      When a metronome tics two or three times a second, one perceives an integral sequence, becoming aware of a rhythmic auditory series characterized by a perceptually distinct frequency. When the ticks come less often, however—at intervals of three seconds, say—the frequency or sequence no longer is perceived. Each physically discrete sound impulse remains an isolated perceptual event; each tick is no longer perceived as belonging to the same temporal field as the one that follows. Similar effects can be achieved by playing a recording of music or speech at a very slow rate. Music or spoken sentences are recognizable only when their elements (melody, rhythmic patterns, phrase) are presented at an optimal speed that permits significant perceptual unity; that is, only when they belong to the relative simultaneity of the psychological present.

      The perceived field of time also depends on the number of stimulus elements presented. When a clock strikes three or four times, one knows without counting that it is three or four o'clock. At noon one must count; the first chimes no longer belong to the psychological present that includes the last. Most people also can repeat a series of letters or numbers they hear, so long as there are no more than seven or eight elements. This ability varies with the degree of perceptual (e.g., semantic) organization among the elements. While most adults can apprehend only about eight letters, they can grasp and repeat without fault sentences of 20 to 25 syllables (see also attention: Perception and recall (attention)).

Perception of sequence
      A series of physically discrete stimuli that impinge too rapidly on a sensory (sensory reception, human) structure (e.g., flashes of light on the retina) may produce perceptual fusion; the flashes will be indiscriminable and will appear to be uninterrupted light. The experience of fusion yields to one of discontinuity over distinctive critical ranges of frequency for some of the senses: visual (vision) flicker appears under prescribed experimental conditions at about 60 flashes per second, auditory (hearing) flutter at about 1,000 interruptions per second, and tactual (touch reception) vibration at about 4,000 pulses per second. These values depend on differences in the persistence of the receptor systems (e.g., how long an image is seen after removal of the stimulus).

      The question of perceiving sequence hardly has meaning for the senses of taste and smell. Hearing appears to be particularly adapted to temporal perception, since the pattern of auditory excitement shows little inertial lag, closely following the physical duration of successive stimuli. Tactual function can give comparable results, but hearing has the practical superiority in everyday experience of reception at a distance.

      When two heterogeneous stimuli (e.g., a flash and a click) are successively presented, the critical threshold for passing from perceived simultaneity to an awareness of succession is found for intervals that vary between 0.02 to 0.1 second, depending on the training of the subjects. The maximum interval for perceiving sequence is more difficult to measure. The minimum time intervals are largely determined by the immediate physiological conditions of direct perceiving, while the maximum intervals are obscured by the effects of other cognitive activities. Determining when direct perception ends and when memory takes over is difficult.

      At any rate, awareness of unitary sequence ceases for pairs of auditory or visual stimuli when the interval between them increases to approximately two seconds. For perceptually organized stimuli (as in a rhythm, a melody, or a phrase) the interval may reach five seconds, as indicated by one's ability to reproduce the pattern.

      Between the upper and lower limits there are optimal values that seem most likely to produce perception of sequence. In the simple case of two homogeneous stimuli the optimum interval seems to be about 0.6 to 0.8 second. This is inferred from a series of clues: the same interval defines the tempo most frequently adopted in spontaneous motor activity (e.g., tapping, walking) and corresponds to the heart rate. It is the interval that is most precisely reproduced by subjects in experiments; shorter intervals tend to be overestimated and longer ones underestimated. Stimuli repeated at that rate are subjectively judged to proceed most comfortably, without appearing to rush each other as in faster tempos and with no tendency to be separately perceived as at slower frequencies.

Perceived duration
      Duration, the interval between two successive events, may be distinguished as full or empty (filled or unfilled) in terms of the sensory stimulation that intervenes. An empty interval is bounded by two perceptually discrete stimuli (e.g., two clicks in succession); a duration is full when there is continous stimulation, being delimited by an onset and cessation (e.g., a light stays on throughout the interval). To experience an empty duration is to perceive sequence, while full duration corresponds to the temporal length of a stimulus.

      Human subjects need a minimum of about 0.1 second of visual experience or about .01 to .02 second of auditory experience to perceive duration; any shorter experiences are called instantaneous. Direct, unitary perception of duration occurs up to a maximum period of approximately 1.5 to 2 seconds from the beginning to the end of a continuous sensory stimulus.

      This roughly two-second maximum for directly perceived duration seems to have a biological basis and can be considered the upper temporal limit of some sort of integrated neural mechanism. The immediate physiological process triggered by a stimulus endures beyond the period of stimulation, and may be measured as the duration of electrical impulses (i.e., in the optic nerve) evoked by simple stimulation. This initial activity appears to be integrated subjectively into a cognitive unit that embraces the rapidly ensuing perceptual processes as well. The optimum range of 0.6 to 0.8 second noted earlier seems to represent the typical duration of this integrating mechanism, as inferred from studies of sensory physiology and from reaction-time experiments.

      At any rate, only within these limits can the quality and precision of direct human perception (as opposed to estimation and recall) of duration be studied. Such perception can be absolute or relative. Absolute perception corresponds to estimates expressed in subjectively qualitative terms as long or short. In making such estimates, people can discriminate four to five different durations between 0.1 and 1.0 second and six to seven between 0.5 and 5.0 seconds. In studies of relative perception, subjects attempt to reproduce intervals that are presented, or are told either to produce durations of specified length or to compare two successively presented durations. These tasks, especially comparison, give rise to constant time-order errors; that is, errors in estimation that depend on which interval is presented first.

      Experimentally, the perception of empty duration is found to vary with the sense that marks the limits. With duration constant, interval estimates tend to be greater (1) when the limits are visual rather than auditory or tactual, (2) when they are of low intensity, or (3) when auditory limits are higher pitched. If the unfilled limits are defined by successive stimuli from different places, duration appears longer when the distance between the two sources is greater; this is called the S effect or kappa effect. The reverse is the tau effect, in which the distance is perceived as being wider when the interval between successive stimuli is longer.

      The perception of filled duration also varies with the stimulus. Holding the interval constant, interrupted stimulation (e.g., several successive clicks) appears to last longer than does a continuous stimulus; and auditory stimuli appear to last longer than visual. Filled durations seem longer as stimulus intensity (e.g., loudness) or auditory pitch rises.

      One interval can be perceived as longer or shorter than the next when the difference is about 7 to 10 percent (both full and empty durations). This relative difference threshold is lowered by practice. Such studies also reveal that apparent duration remains proportional to the objectively measured length of the interval.

Estimating duration
      When an interval lasts more than a few seconds, it no longer is directly perceivable as a whole, but its length can be estimated on the basis of memory function. Since common experience shows how imprecise these estimates are, people generally calculate time from such indicators as the position of the sun or with clocks and watches. Duration then is inferred rather than perceived.

      Estimates, however, often are made, including those of absolute duration in which an activity is appreciated as brief or prolonged. Lacking a watch, one may make crude estimates based on such quantitative aspects of activity as distance travelled, number of dishes washed, or number of pages read. Or one may estimate directly as in subjectively counting seconds.

      Several important factors influence the subjects estimation of time:

Type of activity
      The more often a task is broken up or interrupted, the longer it seems to take. As a corollary, a period of doing nothing appears longer than an equally long period when one is doing something. Similarly, relatively passive activities appear longer than do those requiring active participation; e.g., time passes faster for the student who is taking notes than for one who passively listens.

Level of motivation
      The more one is motivated by a given task, the shorter it appears to last. Clearly, motivation and the type of activity pursued are interdependent factors. Lack of motivation tends to interrupt attention to a task; a task in which perceptual focus frequently shifts rarely corresponds to one for which there is strong motivation. The more one notices change during an interval, the longer it is judged to be. More generally, it may be said that time has subjective duration only when one notices it; e.g., in awaiting the arrival of a friend (as opposed to the actual meeting) or in hoping to finish a task (in contrast to working at it).

personality traits
      Although inadequacies in quantifying personality traits and difficulties in studying estimates of time spans exceeding a few seconds have hampered scientific study, simple observation reveals marked individual differences in the ability to estimate time. Sex differences have not been reliably established, but the influence of age is well known. Experimental data indicate that children use the same criteria as do adults, but give more variable estimates of duration. One reason for this seems to be that they are less able to compensate for differences in the nature of a task or in personal motivation; also they are inexperienced in making inferences based on the volume of work they have accomplished. Elderly people tend to find time shorter, probably since they are likely to notice long-accustomed changes less frequently.

      Children are as accurate as adults in reproducing various series of metronome clicks that last about two seconds or less. But estimates of longer intervals require processes for organizing experience that develop only with age, and very young children seem to depend only on limited criteria: “It lasts because it's longer; because there's more of it; because it goes faster.” According to Jean Piaget (Piaget, Jean), estimates based on more or less explicit comparison with standard units of duration imply concrete cognitive operations that are developed only after about the age of seven or eight. Adolescents typically construct more sophisticated notions of time abstracted from such concrete experimental data.

Physiological effects: drugs
      The precision with which time is perceived has not been found to be related to heart rate or to electroencephalographic data. It has been shown, however, that perception of time as in clapping or counting accelerates or decelerates with the rise and fall of body temperature. The precise metabolic basis for such temperature effects awaits further study.

      Ethical considerations sharply limit the dosage level of drugs employed for experiments on human beings. Understanding of the interactions between drug effects and personality traits in studies of time estimation is, therefore, quite incomplete. Within the dosage ranges investigated, however, stimulating drugs (stimulant) (e.g., thyroxine, caffeine, amphetamines) produce overestimates of duration, while depressants (depressant) and anesthetics (anesthetic) (e.g., barbiturates, nitrous oxide) promote underestimates. Under the influence of hallucinogens (hallucinogen) (e.g., marijuana, mescaline, LSD), subjects tend to estimate absolute duration as very long. In addition, a marijuana user may underestimate the speed of a motor vehicle, increasing the chances of accident.

Sensory deprivation and hypnosis
      Relatively complete sensory deprivation (such as may be experienced, for example, by persons undergoing prolonged stays in experimental isolation chambers) compresses the experience of time to the point that short or long intervals (from about a minute to a day) seem to pass about twice as fast as usual. Time spent under these unpleasant conditions paradoxically seems shorter than normal time. Thus, the 58 objective days of a subject's first stay in a cave were underestimated as 33 days.

      Under hypnosis, durations ordinarily are estimated at least as precisely as ever. Time distortion, however, can be readily induced among hypnotized subjects by simple suggestion. Such a subject, for example, may be exposed to two clicks that delimit an objective, 10-second interval but be told that it lasts 10 minutes. On being asked to count objects for 10 minutes, he may report having counted several hundreds without difficulty over what the experimenter's stopwatch shows to have been 10 seconds.

Paul Fraisse Ed.

Additional Reading
Paul Fraisse, The Psychology of Time (1963, reprinted 1975; originally published in French, 1957), provides a broad synthesis of the psychological works on time, while Jon E. Roeckelein, The Concept of Time in Psychology: A Resource Book and Annotated Bibliography (2000), presents a chronological overview. J.T. Fraser (ed.), The Voices of Time: A Cooperative Survey of Man's Views of Time as Expressed by the Sciences and by the Humanities, 2nd ed. (1981); and Roland Fischer (ed.), “Interdisciplinary Perspectives of Time,” Annals of the New York Academy of Sciences, vol. 138, article 2, pp. 367–915 (February 6, 1967), present varied aspects of the problem of time, ranging from religious to scientific conceptions. Erwin Bünning, The Physiological Clock: Circadian Rhythms and Biological Chronometry, rev. 3rd ed. (1973; originally published in German, 1958), discusses problems of the temporal regulation of organisms. Genetic epistemology is developed by Jean Piaget, The Child's Conception of Time (1969, reissued 1971; originally published in French, 1946).Louis Jolyon West Ed.

* * *

Universalium. 2010.

Игры ⚽ Нужна курсовая?

Look at other dictionaries:

  • Time — This article is about the measurement. For the magazine, see Time (magazine). For other uses, see Time (disambiguation). The flow of sand in an hourglass can be used to keep track of elapsed time. It also concretely represents the present as… …   Wikipedia

  • Perception du temps — La perception du temps désigne la perception subjective que l on a de l écoulement du temps. Si nous possédons des yeux pour voir, des oreilles pour entendre et un nez pour sentir, nous n avons pas de récepteurs sensoriels dédiés à la perception… …   Wikipédia en Français

  • Time travel — This article details time travel itself. For other uses, see Time Traveler. Time travel is the concept of moving between different moments in time in a manner analogous to moving between different points in space, either sending objects (or in… …   Wikipedia

  • Time (TV series) — Time is a 2006 documentary television series first broadcast on BBC Four in the United Kingdom. It is written and presented by Michio Kaku.Episode list#Daytime exploring human perception of time in day to day life. #Lifetime the effect of aging… …   Wikipedia

  • Perception Pty — Perception is a media entertainment company working in the games, film and television space. The company claims to be working on a video game for the PC and console platforms and to be in pre production on an animated television series Sony PSP… …   Wikipedia

  • Time — • Article explores two questions, What are the notes, or elements, contained in the subjective representation of time? and To what external reality does this representation correspond? Catholic Encyclopedia. Kevin Knight. 2006. Time     Time …   Catholic encyclopedia

  • Time and the Conways — is a British play written by J. B. Priestley in 1937 illustrating J. W. Dunne s Theory Of Time through the experience of a moneyed Yorkshire family, the Conways, over a period of roughly twenty years from 1919 to 1937. Widely regarded as one of… …   Wikipedia

  • Perception (TV series) — Perception was an early evening quiz programme which was produced by Granada Television and aired on the ITV network for 1 series in 1989, the programme was hosted by Alison Holloway.GameplayEach week 2 couples competed against each other for the …   Wikipedia

  • Time-compressed speech — is a technique used, often in advertising, to make recorded speech contain more words in a given time, yet still be understandable. Contents 1 History 2 Methods 3 Advantages 4 Disadvantages …   Wikipedia

  • perception — perceptional, adj. /peuhr sep sheuhn/, n. 1. the act or faculty of apprehending by means of the senses or of the mind; cognition; understanding. 2. immediate or intuitive recognition or appreciation, as of moral, psychological, or aesthetic… …   Universalium

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”