Ruiz, Juan

born с 1283, Alcalá, Spain

died с 1350

Spanish poet and cleric.

Educated at Toledo, Ruiz was serving as a village archpriest when he finished his masterpiece, The Book of Good Love (1330, expanded 1343). Perhaps the most important long poem in medieval Spanish literature, it contains 12 narrative poems, each describing a different love affair. Its title refers to the distinction the author makes between the (good) love of God and carnal love. Drawing on material from an impressive range of literary and other sources, it presents a vigorous, high-spirited, satirical glimpse of medieval life.

* * *

▪ Spanish poet

also called  Archpriest of Hita,  Spanish  El Arcipreste de Hita 

born c. 1283, Alcalá, Spain

died c. 1350

      poet and cleric whose masterpiece, the Libro de buen amor (1330; expanded in 1343; The Book of Good Love) is perhaps the most important long poem in the literature of medieval Spain.

      Almost nothing is known of Ruiz's life apart from the information he gives in the Libro: he was educated at Toledo and by 1330 had finished writing the Libro while serving as archpriest in the village of Hita, near Alcalá. He also apparently earned some fame from the popular songs he composed.

      The Libro de buen amor is a long poem composed mainly in the form known as cuaderna vía, although verses in many other metrical forms are found scattered throughout the work. The Libro contains 12 narrative poems, each describing a different love affair. The work's title refers to the distinction the author makes between buen amor (i.e., love of God) and loco amor (i.e., carnal love). But while the author frequently indulges in sententious passages praising spiritual love, his narratives describe in great detail a male hero's attempts to obtain carnal love through his wooings and unsuccessful seductions of various women. The work also contains a parody of a sermon along with other anticlerical satires, several love songs, and a song in praise of small women. Besides its realistic and high-spirited descriptions of attempted amorous conquests, the book is remarkable for its satirical glimpses of Spanish medieval life. It contains vigorous descriptions of basic character types from the lower classes, including one of the first major comic personages in Spanish literature, the old panderess Trotaconventos. The author shows a mastery of popular speech and offers folk sayings and proverbs along with bits of obscure but impressive learning.

      Ruiz derived his material from a wide range of literary and other sources, including the Bible, Spanish ecclesiastical treatises, Ovid and other ancient authors, the medieval goliard poets, the fabliaux, various Arabic writings, and popular poetry and songs, impressing upon all these the cheerful cast of mind of a worldly, ribald, curiously learned priest.

* * *