Rodgers, Richard

Rodgers, Richard
born June 28, 1902, New York, N.Y., U.S.
died Dec. 30, 1979, New York City

U.S. composer.

Rodgers studied at Columbia University, where he met his future collaborator Lorenz Hart, and he later studied composition at the Institute of Musical Art. His first success with Hart (who wrote lyrics) was a revue, The Garrick Gaieties (1925). Their comedy On Your Toes (1936), with the jazz ballet Slaughter on Tenth Avenue, established serious dance as a permanent part of musical comedy. Among their other collaborations were Babes in Arms (1937), The Boys from Syracuse (1938), and Pal Joey (1940), which was revived in 1952 with great success. After Hart's death, Rodgers worked with librettist Oscar Hammerstein. Their Oklahoma! (1943, Pulitzer Prize) enjoyed a then-unprecedented Broadway run of 2,248 performances; their 17-year partnership produced successes such as South Pacific (1949), The King and I (1951), and The Sound of Music (1959) and made them the foremost team in the history of the American musical.

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▪ American composer
born June 28, 1902, New York City
died Dec. 30, 1979, New York City

      one of the dominant composers of American musical comedy, known especially for his works in collaboration with the librettists Lorenz Hart (Hart, Lorenz) and Oscar Hammerstein (Hammerstein, Oscar, II) II.

      As a youth Rodgers composed songs for amateur boys' club shows. In 1918 he entered Columbia University. There he met Hart, with whom he collaborated on Columbia's varsity show of 1919, Fly with Me. After a year and a half he left Columbia, intending to work full time composing for the musical theatre. He studied composition for two years at the Institute of Musical Art (now Juilliard School of Music), New York City, and produced several amateur shows with Hart.

      Rodgers and Hart's first professional success was a revue, The Garrick Gaieties (1925), which included the song "Manhattan." In 1936 their comedy On Your Toes was produced. This production, with the jazz ballet Slaughter on Tenth Avenue (choreography by George Balanchine (Balanchine, George)), introduced ballet and established serious dance as a permanent part of musical comedy. Among their other collaborations were Babes in Arms (1937), including the songs "My Funny Valentine" and "The Lady Is a Tramp" ; I Married an Angel (1938); and The Boys from Syracuse (1938), adapted from Shakespeare's The Comedy of Errors. Their Pal Joey (1940), adapted by John O'Hara from a series of his short stories, turned away from purely escapist entertainment to serious drama. Too realistic for its time when first produced, it was revived in 1952 with enormous success. Among its songs was "Bewitched." Their final collaboration, one year before Hart's death, was By Jupiter (1942).

 In 1942 Rodgers began working with Hammerstein on an adaptation of Lynn Riggs's play Green Grow the Lilacs. The result, the 1944 Pulitzer Prize-winning Oklahoma! (1943; film, 1955), enjoyed a then-unprecedented Broadway run of 2,248 performances. Choreographed by Agnes de Mille (de Mille, Agnes) and including the songs "Oh, What a Beautiful Morning," "The Surrey with the Fringe on Top," and "People Will Say We're in Love," it marked the beginning of a 17-year partnership that ended with Hammerstein's death. Carousel (1945) and the experimental Allegro (1947) were somewhat less successful, but South Pacific (1949) had a Broadway run almost as long as that of Oklahoma! and won a second Pulitzer Prize (1950). Unusual in its treatment of racial prejudice and skillful matching of music to character, it included the songs "Younger than Springtime," "Some Enchanted Evening," and "I'm Gonna Wash That Man Right Outa My Hair." There followed The King and I (1951), remarkable for its exotic character; Pipe Dream (1955); The Flower Drum Song (1958); and one of their major successes, The Sound of Music (1959).

      Rodgers also wrote the music for the documentary film Victory at Sea (1952).

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Universalium. 2010.

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