- Lawrence, Gertrude
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orig. Gertrud Alexandra Dagmar Lawrence Klasendied Sept. 6, 1952, New York, N.Y., U.S.British actress.She began appearing on stage as a child, and she starred in musical revues such as Noë l Coward's London Calling (1923) and George Gershwin's Oh, Kay! (1926). A longtime friend of Coward's, she performed in many of his comedies, notably Private Lives (1930); both the play and the stars set the tone that would characterize comedies of manners for a decade or more: sophistication, brittle wit, and chic. She was also acclaimed for her roles in the musicals Lady in the Dark (1941) and The King and I (1951).
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▪ British actressoriginal name Gertrud Alexandra Dagma Lawrence Klasenborn July 4, 1898, London, Eng.died Sept. 6, 1952, New York, N.Y., U.S.English actress noted for her performances in Noël Coward (Coward, Sir Noël)'s sophisticated comedies and in musicals.Lawrence was the daughter of music hall performers, and from an early age she was trained to follow their career. She made her stage debut in December 1908 in a pantomime Dick Whittington in Brixton. Subsequently she appeared in Babes in the Wood (1910) and other musicals and plays, and for a time she toured in minor revues. In 1916 she began appearing in André Charlot's intimate revues in London, and two years later she stepped into the lead when Beatrice Lillie (Lillie, Beatrice) fell ill. She appeared with Coward, whom she had known for 10 years, in his London Calling (1923) and in January 1924 made her New York debut as one of the stars of Charlot's Revue, with Lillie and Jack Buchanan. In 1926 she starred in George and Ira Gershwin's Oh Kay!, which moved to London the next year, and in 1928 in their Treasure Girl. In the latter year she played her first straight dramatic role in Icebound in London. Lawrence's greatest role was in Coward's Private Lives, written with her in mind, in which she opened opposite the author at the Phoenix Theatre, London, in September 1930. Both the play and the stars set the tone that would characterize comedies of manners for a decade or more: sophistication, brittle wit, and chic. Perhaps Lawrence's greatest triumph was as Liza Elliot in the Moss Hart–Kurt Weill musical Lady in the Dark (1941). Throughout her career, her singing and dancing, both accomplished but not exceptional, merely supported her compelling stage presence, what Coward called her “star quality.” On the strength of it she remained for a quarter-century one of the most popular stars on the American and British stages. She spent the years following her 1940 marriage to Richard Aldrich, an American producer, in the United States. In 1945 she published an autobiography, A Star Danced. In March 1951 she opened on Broadway in Rodgers and Hammerstein's The King and I, during the run of which she died.* * *
Universalium. 2010.
