Kirchner, Ernst Ludwig

Kirchner, Ernst Ludwig
born May 6, 1880, Aschaffenberg, Bavaria
died June 15, 1938, near Davos, Switz.

German painter, printmaker, and sculptor.

He was among the founders of the Expressionist group Die Brücke. Kirchner's highly personal style, influenced by Albrecht Dürer, Edvard Munch, and African and Polynesian art, was noted for its psychological tension and eroticism. He used simple, powerfully drawn forms and often garish colours to create intense, sometimes threatening works, such as his two versions of Street, Berlin (1907, 1913). Highly strung and often depressed, he took his own life when the Nazis declared his work "degenerate."

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▪ German artist
born May 6, 1880, Aschaffenberg, Bavaria [now in Germany]
died June 15, 1938, near Davos, Switzerland

      German painter and printmaker who was one of the leaders of a group of Expressionist (Expressionism) artists known as Die Brücke (Brücke, Die) (“The Bridge”). His mature style was highly personal and notable for its psychological tension and eroticism.

      In 1898 Kirchner was impressed by the graphic art of the German late Gothic artists, especially Albrecht Dürer (Dürer, Albrecht), whose influence on Kirchner was lifelong. But exposure to the Jugendstil movement and the dynamic art of the Norwegian Expressionist painter Edvard Munch (Munch, Edvard) led Kirchner to simplify his forms and brighten his colours—a development aided by his discovery in 1904 of African (African arts) and Polynesian art (art and architecture, Oceanic).

      Between 1901 and 1905, Kirchner studied architecture intermittently in Dresden, Germany. However, he continued to be obsessed with painting, and in 1905 he founded Die Brücke with Erich Heckel (Heckel, Erich) and Karl Schmidt-Rottluff (Schmidt-Rottluff, Karl). Other artists, including Emil Nolde (Nolde, Emil), subsequently joined the group. For Kirchner, art was an immediate, powerful translation of inner conflict into visual terms. He cited the emotive work of Vincent van Gogh (Gogh, Vincent van) and Munch as artistic touchstones.

      Kirchner's use of colour for visual impact may be seen in Girl under Japanese Umbrella (1906) and Artist and His Model (1907), works that show a superficial affinity with the paintings of Henri Matisse and the Fauves (Fauvism) in France. But the jagged outlines of Kirchner's forms and the wary expressions of the faces create a threatening mood that is absent in Fauvist works.

      Much of Kirchner's work exhibits his preoccupation with malevolence and eroticism. In Street, Berlin (1907), the curvilinear rhythms of fashionable women on promenade accentuate the primitive sensuousness hidden beneath the panoply of fashion and propriety—a sensuousness rendered ominous by the savage, dark outlines of their figures and their masklike faces. His second version of Street, Berlin (1913) reinforces his sardonic view of Berlin's jaded society. Kirchner's studies of the nude, such as Bathers at Moritzburg (1908), are often explicitly erotic, and in his lithograph Head of a Man with a Nude (1908), his fantasy of sexual aggression reaches nightmarish intensity.

      In 1911 the members of Die Brücke moved to Berlin, where Kirchner produced masterful woodcuts (woodcut) for Der Sturm, Germany's leading avant-garde periodical before World War I. His illustrations for Adelbert von Chamisso (Chamisso, Adelbert von)'s novel Peter Schlemihls wundersame Geschichte (1915; “Peter Schlemihl's Wonderful Story”) and for the poem Umbra Vitae (1924) by the Expressionist poet Georg Heym are considered to be among the finest engravings (engraving) of the 20th century.

      After a mental and physical breakdown in 1915, Kirchner moved to Switzerland. His late landscapes are often allegorical, showing human beings unencumbered by civilization and at peace with nature. Kirchner endured long periods of depression, and after the Nazis declared his work “degenerate (degenerate art)” in 1937, he committed suicide.

Additional Reading
Good sources in English include Will Grohmann, E.L. Kirchner (1961; originally published in German, 1958); Donald E. Gordon, Ernst Ludwig Kirchner (1968); and Lucius Grisebach, Ernst Ludwig Kirchner, 1880–1938 (1996, reissued 1999; originally published in German, 1995).

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Universalium. 2010.

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  • Kirchner,Ernst Ludwig — Kirch·ner (kîrkʹnər, kîrKHʹ ), Ernst Ludwig. 1880 1938. German expressionist artist whose woodcuts and paintings, such as The Street (1913), convey psychological tension and eroticism with sharply contrasting colors and angular forms. * * * …   Universalium

  • Kirchner, Ernst Ludwig — ► (1880 1938) Pintor alemán. Fue uno de los promotores del grupo Die Brücke. Sus cuadros lo enmarcan dentro del expresionismo alemán. Autor de Bailarinas. * * * (6 may. 1880, Aschaffenberg, Baviera–15 jun. 1938, cerca de Davos, Suiza). Pintor,… …   Enciclopedia Universal

  • Kirchner, Ernst Ludwig — (5/6/1880 Aschaffen burg 6/15/1938 Davos) (Germany)    Painter, graphic artist, and sculptor. Renowned as a major expressionist painter, co founder of Die Brucke. Originally studied architect, but soon turned to art at the Technischen Hochschule …   Dictionary of erotic artists: painters, sculptors, printmakers, graphic designers and illustrators

  • Kirchner, Ernst Ludwig —    See Expressionism …   Historical dictionary of Weimar Republik

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  • Ernst Ludwig Kirchner — Saltar a navegación, búsqueda Autorretrato fotográfico de Kirchner en 1919 …   Wikipedia Español

  • Ernst Ludwig Kirchner — Selbstporträt, Foto aus dem Jahr 1919 Kirchners Signatur …   Deutsch Wikipedia

  • Ernst-Ludwig Kirchner — Selbstporträt, Foto aus dem Jahr 1919 Ernst Ludwig Kirchner (* 6. Mai 1880 in Aschaffenburg; † 15. Juni 1938 in Frauenkirch Wildboden bei Davos (Schweiz)) war ein deutscher Maler und Grafiker des Expressionismus …   Deutsch Wikipedia

  • Ernst Ludwig Kirchner — Pour les articles homonymes, voir Kirchner. Ernst Ludwig Kirchner portrait 1919 …   Wikipédia en Français

  • Ernst Ludwig Kirchner — (1880 1938), pintor expresionista, es uno de los cuatro estudiantes de la Escuela técnica superior de Dresde que fundó a la asociación Die Brücke. Se interesó mucho por el grabado sobre madera antes de los años 1900. A su vuelta de la guerra en… …   Enciclopedia Universal

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