- Barth, John
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U.S. writer.Barth grew up on Maryland's eastern shore, the locale of much of his writing, and from 1953 he taught principally at Johns Hopkins University. Apart from the experimental pieces in Lost in the Funhouse (1968), his best-known works are the novels The Floating Opera (1956), The End of the Road (1958), The Sot-Weed Factor (1960), Giles Goat-Boy (1966), and The Tidewater Tales (1987), most of which play with and parody traditional narrative forms, combining philosophical depth with biting satire and boisterous, often bawdy humour. In 2001 he published the experimental novel Coming Soon!!!: A Narrative, which was not well received.
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▪ American writerborn May 27, 1930, Cambridge, Md., U.S.American writer best known for novels that combine philosophical depth and complexity with biting satire and boisterous, frequently bawdy humour. Much of Barth's writing is concerned with the seeming impossibility of choosing the right action in a world that has no absolute values.Barth grew up on the eastern shore of Maryland, the locale of most of his writing, and studied at Johns Hopkins University in Baltimore, where he graduated with an M.A. in 1952. The next year, he began teaching at Pennsylvania State University; he moved in 1965 to the State University of New York at Buffalo as professor of English and writer in residence. He was a professor of English and creative writing at Johns Hopkins University from 1973 to 1995.Barth's first two novels, The Floating Opera (1956) and The End of the Road (1958), describe characters burdened by a sense of the futility of all action and the effects of these characters upon the less self-conscious, more active people around them. Barth forsook realism and modern settings in The Sot-Weed Factor (1960), a picaresque tale that burlesques the early history of Maryland and parodies the 18th-century English novel. All three novels appeared in revised editions in 1967.Giles Goat-Boy (1966) is a bizarre tale of the career of a mythical hero and religious prophet, set in a satirical microcosm of vast, computer-run universities. His work Lost in the Funhouse (1968) consists of short, experimental pieces, some designed for performance, interspersed with short stories based on his own childhood. It was followed by Chimera (1972), a volume of three novellas, and Letters (1979), an experimental novel. The novels Sabbatical (1982) and The Tidewater Tales (1987) are more traditional narratives. Once Upon a Time: A Floating Opera (1994) combined the genres of novel and memoir in the form of a three-act opera. The novel Coming Soon!!! (2001) revisits The Floating Opera and is arguably Barth's most conspicuously self-conscious work. The Book of Ten Nights and a Night (2004) and The Development (2008) are collections of interconnected short stories.* * *
Universalium. 2010.
