/sim"euh lee/, n.
1. a figure of speech in which two unlike things are explicitly compared, as in "she is like a rose." Cf. metaphor.
2. an instance of such a figure of speech or a use of words exemplifying it.
[1350-1400; ME < L: image, likeness, comparison, n. use of neut. of similis SIMILAR]

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Figure of speech involving a comparison between two unlike entities.

In a simile, unlike a metaphor, the resemblance is indicated by the words "like" or "as." Similes in everyday speech reflect simple comparisons, as in "He eats like a bird" or "She is slow as molasses." Similes in literature may be specific and direct or more lengthy and complex. The Homeric, or epic, simile, which is typically used in epic poetry, often extends to several lines.

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      figure of speech involving a comparison between two unlike entities. In the simile, unlike the metaphor, the resemblance is explicitly indicated by the words “like” or “as.” The common heritage of similes in everyday speech usually reflects simple comparisons based on the natural world or familiar domestic objects, as in “He eats like a bird,” “He is as smart as a whip,” or “He is as slow as molasses.” In some cases the original aptness of the comparison is lost, as in the expression “dead as a doornail.”

      A simile in literature may be specific and direct or more lengthy and complex, as in the following lines of Othello: (Othello)

Never, Iago. Like to the Pontic Sea,
Whose icy current and compulsive course
Ne'er feels retiring ebb, but keeps due on
To the Propontic and the Hellespont;
Even so my bloody thoughts, with violent pace,
Shall ne'er look back . . .

      The simile does more than merely assert that Othello's urge for vengeance cannot now be turned aside; it suggests huge natural forces. The proper names also suggest an exotic, remote world, with mythological and historical associations, reminiscent of Othello's foreign culture and adventurous past.

      The Homeric (epic simile), or epic, simile is a descriptive comparison of greater length usually containing some digressive reflections, as in the following:

As one who would water his garden leads a stream from some fountain over his plants, and all his ground—spade in hand he clears away the dams to free the channels, and the little stones run rolling round and round with the water as it goes merrily down the bank faster than the man can follow—even so did the river keep catching up with Achilles albeit he was a fleet runner, for the gods are stronger than men.
( Iliad, Book XII)

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Universalium. 2010.


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