/euhb sen"i tee, -see"ni-/, n., pl. obscenities for 2, 3.1. the character or quality of being obscene; indecency; lewdness.2. something obscene, as a picture or story.3. an obscene word or expression, esp. when used as an invective.[1600-10; < F obscenité < L obscenitas, equiv. to obscen(us) OBSCENE + -itas -ITY]
* * *Act, utterance, writing, or illustration that is deemed deeply offensive according to contemporary community standards of morality and decency.Though most societies have placed restrictions on the content of literary and graphic works, it was not until relatively modern times that sexuality became a major focus of societal concern. One of the first systematic efforts to suppress books deemed to be immoral or heretical was undertaken by the Roman Catholic church in the 16th century. Modern obscenity laws can be viewed as direct responses to the social and technological changes (e.g., the creation of the printing press and the development of the Internet) that have permitted the wide and easy distribution of sexually explicit materials. The Supreme Court of the United States has ruled that materials are obscene if they appeal predominantly to a prurient interest in sexual conduct, depict or describe sexual conduct in a patently offensive way, and lack serious literary, artistic, political, or scientific value. Material deemed obscene under this definition is not protected in the U.S. by the free-speech guarantee of the 1st Amendment. See also freedom of speech; pornography.
* * *legal concept used to characterize certain (particularly sexual (sexuality)) material as offensive to the public sense of decency. A wholly satisfactory definition of obscenity is elusive, however, largely because what is considered obscene is often, like beauty, in the eye of the beholder. Although the term originally referred to things considered repulsive, it has since acquired a more specifically sexual meaning.Legal restrictions on the content of literature and works of visual art have existed since ancient times. Traditionally, however, governments were much more concerned with sedition, heresy, and blasphemy, and it was not until relatively modern times that sexuality became a major preoccupation of political and religious authorities. One of the first systematic efforts to regulate literature was undertaken by the Roman Catholic Church, which banned heretical works as early as the 4th century. By the Middle Ages the list of banned works had grown dramatically. In 1542 Pope Paul III established the Sacred Congregation of the Roman inquisition—the precursor of the modern Congregation for the Doctrine of the Faith—one of whose responsibilities was the suppression of heretical and immoral books. In 1559 Pope Paul IV published the Index Auctorum et Librorum Prohibitorum (see Index Librorum Prohibitorum), a comprehensive list of forbidden books that went through numerous editions before it was abolished in 1966. Immoral works also were suppressed in Protestant countries such as England, where, prior to the 18th century, restrictions were applied almost exclusively to antireligious or seditious acts or publications, rather than to obscene material in the modern sense.Modern obscenity law emerged as a direct response to social and technological changes—particularly the development of the printing press in the 15th century—that permitted the wide and easy distribution of what was then considered sexually explicit material. By the 17th century such books and prints had become widely available throughout Europe; governments and church authorities responded by arresting and prosecuting publishers and distributors. A similar sequence of events occurred in Japan, where the development of colour woodblock printing ended up soon creating a sizable industry in erotic pictures. In 1722 the Japanese government introduced the first of several edicts against unlicensed materials, whether erotic or political.In the early 18th century the temporal courts of England failed to pass judgment on defendants charged with obscenity because there was no law against the publication of such material. The offense of obscene libel subsequently developed to enable the prosecution of people of “wicked and depraved mind and disposition” for publishing (publishing, history of) materials that corrupted the morals of society by creating “lustful desires.” In the 1720s bookseller Edmund Curll became the first person to be convicted on a charge of obscenity in England in the common law (as opposed to the ecclesiastical (ecclesiastical court)) courts, for his publication of a new edition of Venus in the Cloister; or, The Nun in Her Smock, a mildly pornographic work that had been written several decades earlier; his sentence, a fine and one hour in the pillory, was delayed because no punishment was then specified in the law. Thereafter obscenity was recognized as an indictable misdemeanour under common law. (Because the charge of obscene libel applied only to publications, obscene acts were prosecuted on the charges of conspiracy to corrupt public morals and conspiracy to outrage public decency.)Not surprisingly, it was often difficult to draw a sharp distinction between the suppression of published materials for moral reasons and for reasons of political control or repression. Thus, the 18th-century English laws that regulated indecent or suggestive materials were also used to suppress criticism of government ministers and other favoured political figures. In the 1760s the journalist and politician John Wilkes (Wilkes, John), a leading government critic, was charged with seditious libel for his periodical North Briton and with obscene libel for his poem An Essay on Woman, a parody of Alexander Pope (Pope, Alexander)'s An Essay on Man. Prosecutions for obscenity in other European countries also betrayed a merging of moral and political concerns. Perhaps the most celebrated obscenity trial in 19th-century France was that of Gustave Flaubert (Flaubert, Gustave), who was charged with “outrage to public morals and religion” for his novel Madame Bovary (1857). Although the book was indeed sexually frank by the standards of the day, the prosecution, which was unsuccessful, was motivated primarily by the government's desire to close down Revue de Paris, the magazine in which the work first appeared.By the mid-19th century the spread of Victorian notions of morality resulted in harsher legislation against the publication and distribution of sexually explicit material. In Great Britain (United Kingdom) such material was prohibited on purely sexual grounds for the first time by the Obscene Publications Act of 1857. The legislation, which failed to define obscenity, faced strong opposition but was passed after the lord chief justice guaranteed that it would be used to prosecute individuals for works “written for the single purpose of corrupting the morals of youth and of a nature calculated to shock the common feelings of decency.” A legal definition of obscenity was subsequently established in Britain in Regina v. Hicklin (1868), in which the court held that obscene material is marked by a tendency “to deprave and corrupt those whose minds are open to such immoral influences and into whose hands a publication of this sort may fall.” It was understood that this test could be applied to isolated passages of a work, and the ruling made it possible to label a work obscene not on the basis of the intended readership but on how it might influence anyone in society (e.g., women and children). This perspective later formed the basis of antiobscenity laws in legal systems influenced by British law, particularly in countries that were at one time part of the British Empire.Beginning in the 1820s, state governments in the United States began passing obscenity laws, and in 1842 the federal government enacted legislation that allowed the seizure of obscene pictures. The most comprehensive federal legislation of the era was the Comstock Act (1873)—named for its chief proponent, Anthony Comstock (Comstock, Anthony)—which provided for the fine and imprisonment of any person mailing or receiving “obscene,” “lewd,” or “lascivious” publications. The act became notorious as the basis for the widespread suppression not merely of pornographic books and pictures but also of publications containing legitimate medical information about contraception and abortion, as well as contraceptive devices themselves.The variability of legal definitions of obscenity is well illustrated by court cases in the United States. Until the middle of the 20th century, the standard definition used by U.S. courts was the one articulated in the British Hicklin v. case. On this basis several novels, including Theodore Dreiser (Dreiser, Theodore)'s An American Tragedy (1925) and D.H. Lawrence (Lawrence, D.H.)'s Lady Chatterley's Lover (published privately in 1928), were banned. In 1934 a New York circuit court of appeals abandoned the Hicklin v. standard in legalizing the publication of James Joyce (Joyce, James)'s novel Ulysses, holding that the proper standard for judging obscenity was not the content of isolated passages but rather “whether a publication taken as a whole has a libidinous effect.” Two decades later, in Roth v. United States (1957), the U.S. Supreme Court (Supreme Court of the United States) held that the standard of obscenity should be “whether, to the average person, applying contemporary community standards, the dominant theme of the material taken as a whole appeals to prurient interest.” In subsequent years the court struggled to develop a more adequate definition. The difficulty of the task was reflected in Associate Supreme Court Justice Potter Stewart (Stewart, Potter)'s concurring opinion in Jacobellis v. Ohio (1964), which dealt with the alleged obscenity of a motion picture: he wrote that, though he could not define obscenity, “I know it when I see it.” In a 1966 ruling on John Cleland (Cleland, John)'s novel Fanny Hill (1748–49), the court declared that, in order to be pornographic (pornography), a work must be “utterly without redeeming social value.”In the 1970s the Supreme Court began to move in a more conservative direction. In Miller v. California (1973), it devised a three-part test to determine whether a work was obscene: (1) “the average person, applying contemporary community standards,” would judge that the work appeals primarily to prurient interests; (2) “the work depicts or describes, in a patently offensive way, sexual conduct specifically defined by the applicable state law”; and (3) the work “lacks serious literary, artistic, political, or scientific value.” Although the Miller v. decision expanded the legal basis for suppressing many sexually explicit books and motion pictures, the public's increasingly permissive attitude toward issues related to sex and marriage made such prosecutions difficult to pursue in the late 20th and early 21st century.Reflecting this shift in sexual morality, obscenity laws in Australia, Canada, the United States, and western European countries were gradually relaxed beginning in the 1960s. Similar developments occurred in countries in eastern Europe following the collapse of communism there in 1989. For example, in the Czech Republic and Poland in the 1990s, sizable pornography industries developed, and they faced little legal intervention or censorship from the government. Generally, the new legal environment in North America and Europe favoured greater sexual permissiveness and the right to individual privacy. Perhaps the most significant development in this regard was the decriminalization of homosexuality in many countries and the removal of proscriptions against depictions and discussions of homosexual relationships in books, motion pictures, and other media. (Countries in Africa and Asia generally were slower to liberalize such laws, and former British colonies, such as India, often maintained the older British obscenity laws and definitions.)An important exception to the general trend toward greater permissiveness were laws against the sexually explicit depiction of minors (the definition of which varies from country to country). Indeed, such restrictions were strengthened, especially in the English-speaking world; in the United Kingdom, for example, the Protection of Children Act (1978), which was designed to safeguard children from sexual exploitation, effectively outlawed child pornography. Beginning in the late 1970s, a series of increasingly strict laws in the United States criminalized the possession of photographs of nude children or of children in sexually suggestive poses, though similar pictures of adults would have been deemed merely indecent rather than obscene. In New York v. Ferber (1982), the Supreme Court upheld the use of strict standards of obscenity in cases involving children, maintaining that the government's interest in protecting children was “compelling” and “surpassing.” In Osborne v. Ohio (1990), the court upheld a law that criminalized the private possession of a photograph of a nude adolescent.Throughout the 1980s, feminist (feminism) groups campaigned against pornography not because it offended traditional sexual morality but because, in their view, it degraded women, violated their human rights, and encouraged sex crimes. Feminist arguments had some influence on obscenity laws in certain countries, notably Canada, which in the 1980s clamped down on pornography (in particular, those materials imported by businesses catering to homosexuals). The implementation of such laws pitted feminist reformers against those supporting a more libertarian approach. The feminist approach prompted some U.S. cities to pass local ordinances against pornography. However, many of these regulations were struck down by U.S. federal courts in the 1990s.Although most countries suppress obscene material through the criminal law, many also attempt to control it through administrative or regulatory agencies such as customs, the postal service, and national or local boards for the licensing of motion pictures or stage performances. In some countries, notably those that grant a privileged position to Muslim concepts of law (e.g., Saudi Arabia and Iran), special religious agencies play a powerful role in defining and suppressing obscenity.In the late 20th and early 21st century, differences between countries regarding legal definitions and cultural conceptions of obscenity became increasingly important with the development of the Internet, which enabled anyone with a computer to view materials—including texts, images, and motion pictures—originating from virtually anywhere in the world. The ease with which sexually explicit material could be viewed over the Internet complicated the regulation of child pornography in many jurisdictions, in particular because of differences between countries regarding the legal definition of childhood, the legal age of sexual consent, and tolerance of suggestive or indecent images of children. Various solutions were attempted, particularly in the United States, to limit access to what were considered obscene Internet sites (e.g., by requiring that libraries deny access to Web sites of a sexual nature). However, the courts in the United States showed little sympathy toward such efforts. Particularly problematic was that material considered obscene by some may be considered to have social merit by others (e.g., information about breast-cancer prevention or sex education). Countries that had some success in reducing access to Internet pornography (e.g., China and Saudi Arabia) adopted stringent restrictions on most Internet access. Despite these problems, there were moves in Western countries to adopt consistent policies toward child pornography, often along the lines of the relatively strict laws of the United States.John Philip JenkinsAdditional ReadingThe history of obscenity and pornography is discussed in Paul F. Grendler, The Roman Inquisition and the Venetian Press, 1540–1605 (1977); Lynn Hunt (ed.), The Invention of Pornography: Obscenity and the Origins of Modernity, 1500–1800 (1996); Charles Rembar, The End of Obscenity: The Trials of Lady Chatterley, Tropic of Cancer, and Fanny Hill (1968, reprinted 1991); and Rochelle Gurstein, The Repeal of Reticence: A History of America's Cultural and Legal Struggles over Free Speech, Obscenity, Sexual Liberation, and Modern Art (1996). Works exploring legal and philosophical aspects of the regulation of obscenity include Susan M. Easton, The Problem of Pornography: Regulation and the Right to Free Speech (1994); and Marjorie Heins, Not in Front of the Children: “Indecency,” Censorship, and the Innocence of Youth (2001). The regulation of pornography on the Internet is the subject of Philip Jenkins, Beyond Tolerance: Child Pornography on the Internet (2001, reissued 2003). Feminist campaigns to stigmatize pornography as an assault on women's civil rights are described in Catharine A. MacKinnon and Andrea Dworkin (eds.), In Harm's Way: The Pornography Civil Rights Hearings (1997).John Philip Jenkins
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