Elizabeth I

Elizabeth I
(Elizabeth Tudor)
1533-1603, queen of England 1558-1603 (successor of Mary I; daughter of Henry VIII and Anne Boleyn).

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born Sept. 7, 1533, Greenwich, near London, Eng.
died March 24, 1603, Richmond, Surrey

Queen of England (1558–1603).

Daughter of Henry VIII and his second wife, Anne Boleyn, she displayed precocious seriousness as a child and received the rigorous education normally reserved for male heirs. Her situation was precarious during the reigns of her half brother Edward VI and her half sister Mary I. After Sir Thomas Wyatt's rebellion in 1554, she was imprisoned but later released. Her accession to the throne on Mary's death was greeted with public jubilation. She assembled a core of experienced advisers, including William Cecil and Francis Walsingham, but she zealously retained her power to make final decisions. Important events of her reign included the restoration of England to Protestantism; the execution of Mary, Queen of Scots; and England's defeat of the Spanish Armada. She lived under constant threat of conspiracies by British Catholics. Over time she became known as the Virgin Queen, wedded to her kingdom. Many important suitors came forward, and she showed signs of romantic attachment to the earl of Leicester, but she remained single, perhaps because she was unwilling to compromise her power. She had another suitor, the 2nd earl of Essex, executed in 1601 for treason. Though her later years saw an economic decline and disastrous military efforts to subdue the Irish, her reign had already seen England's emergence as a world power and her presence had helped unify the nation against foreign enemies. Highly intelligent and strong-willed, Elizabeth inspired ardent expressions of loyalty, and her reign saw a brilliant flourishing in the arts, especially literature and music. After her death, she was succeeded by James I.

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▪ queen of England
byname  The Virgin Queen,  or  Good Queen Bess 
born Sept. 7, 1533, Greenwich, near London, Eng.
died March 24, 1603, Richmond, Surrey

      queen of England (1558–1603) during a period, often called the Elizabethan Age, when England asserted itself vigorously as a major European power in politics, commerce, and the arts.

 Although her small kingdom was threatened by grave internal divisions, Elizabeth's blend of shrewdness, courage, and majestic self-display inspired ardent expressions of loyalty and helped unify the nation against foreign enemies. The adulation bestowed upon her both in her lifetime and in the ensuing centuries was not altogether a spontaneous effusion; it was the result of a carefully crafted, brilliantly executed campaign in which the queen fashioned herself as the glittering symbol of the nation's destiny. This political symbolism, common to monarchies, had more substance than usual, for the queen was by no means a mere figurehead. While she did not wield the absolute power of which Renaissance rulers dreamed, she tenaciously upheld her authority to make critical decisions and to set the central policies of both state and church. The latter half of the 16th century in England is justly called the Elizabethan Age: rarely has the collective life of a whole era been given so distinctively personal a stamp.

      Elizabeth's early years were not auspicious. She was born at Greenwich Palace, the daughter of the Tudor king Henry VIII and his second wife, Anne Boleyn. Henry had defied the pope and broken England from the authority of the Roman Catholic church in order to dissolve his marriage with his first wife, Catherine of Aragon, who had borne him a daughter, Mary. Since the king ardently hoped that Anne Boleyn would give birth to the male heir regarded as the key to stable dynastic succession, the birth of a second daughter was a bitter disappointment that dangerously weakened the new queen's position. Before Elizabeth reached her third birthday, her father had her mother beheaded on charges of adultery and treason. Moreover, at Henry's instigation, an act of Parliament declared his marriage with Anne Boleyn invalid from the beginning, thus making their daughter Elizabeth illegitimate, as Roman Catholics had all along claimed her to be. (Apparently the king was undeterred by the logical inconsistency of simultaneously invalidating the marriage and accusing his wife of adultery.) The emotional impact of these events on the little girl, who had been brought up from infancy in a separate household at Hatfield, is not known; presumably no one thought it worth recording. What was noted was her precocious seriousness; at six years old, it was admiringly observed, she had as much gravity as if she had been 40.

      When in 1537 Henry's third wife, Jane Seymour, gave birth to a son, Edward, Elizabeth receded still further into relative obscurity, but she was not neglected. Despite his capacity for monstrous cruelty, Henry VIII treated all his children with what contemporaries regarded as affection; Elizabeth was present at ceremonial occasions and was declared third in line to the throne. She spent much of the time with her half brother Edward and, from her 10th year onward, profited from the loving attention of her stepmother, Catherine Parr, the king's sixth and last wife. Under a series of distinguished tutors, of whom the best known is the Cambridge humanist Roger Ascham (Ascham, Roger), Elizabeth received the rigorous education normally reserved for male heirs, consisting of a course of studies centring on classical languages, history, rhetoric, and moral philosophy. “Her mind has no womanly weakness,” Ascham wrote with the unselfconscious sexism of the age, “her perseverance is equal to that of a man, and her memory long keeps what it quickly picks up.” In addition to Greek and Latin, she became fluent in French and Italian, attainments of which she was proud and which were in later years to serve her well in the conduct of diplomacy. Thus steeped in the secular learning of the Renaissance, the quick-witted and intellectually serious princess also studied theology, imbibing the tenets of English Protestantism in its formative period. Her association with the Reformation is critically important, for it shaped the future course of the nation, but it does not appear to have been a personal passion: observers noted the young princess's fascination more with languages than with religious dogma.

Position under Edward VI and Mary
      With her father's death in 1547 and the accession to the throne of her frail 10-year-old brother Edward, Elizabeth's life took a perilous turn. Her guardian, the dowager queen Catherine Parr, almost immediately married Thomas Seymour (Seymour, Thomas Seymour, Baron), the lord high admiral. Handsome, ambitious, and discontented, Seymour began to scheme against his powerful older brother, Edward Seymour, protector of the realm during Edward VI's minority. In January 1549, shortly after the death of Catherine Parr, Thomas Seymour was arrested for treason and accused of plotting to marry Elizabeth in order to rule the kingdom. Repeated interrogations of Elizabeth and her servants led to the charge that even when his wife was alive Seymour had on several occasions behaved in a flirtatious and overly familiar manner toward the young princess. Under humiliating close questioning and in some danger, Elizabeth was extraordinarily circumspect and poised. When she was told that Seymour had been beheaded, she betrayed no emotion.

      The need for circumspection, self-control, and political acumen became even greater after the death of the Protestant Edward in 1553 and the accession of Elizabeth's older half sister Mary (Mary I), a religious zealot set on returning England, by force if necessary, to the Roman Catholic faith. This attempt, along with her unpopular marriage to the ardently Catholic king Philip II of Spain, aroused bitter Protestant opposition. In a charged atmosphere of treasonous rebellion and inquisitorial repression, Elizabeth's life was in grave danger. For though, as her sister demanded, she conformed outwardly to official Catholic observance, she inevitably became the focus and the obvious beneficiary of plots to overthrow the government and restore Protestantism. Arrested and sent to the Tower of London after Sir Thomas Wyatt's rebellion in January 1554, Elizabeth narrowly escaped her mother's fate. Two months later, after extensive interrogation and spying had revealed no conclusive evidence of treason on her part, she was released from the Tower and placed in close custody for a year at Woodstock. The difficulty of her situation eased somewhat, though she was never far from suspicious scrutiny. Throughout the unhappy years of Mary's childless reign, with its burning of Protestants and its military disasters, Elizabeth had continually to protest her innocence, affirm her unwavering loyalty, and proclaim her pious abhorrence of heresy. It was a sustained lesson in survival through self-discipline and the tactful manipulation of appearances.

      Many Protestants and Roman Catholics alike assumed that her self-presentation was deceptive, but Elizabeth managed to keep her inward convictions to herself, and in religion as in much else they have remained something of a mystery. There is with Elizabeth a continual gap between a dazzling surface and an interior that she kept carefully concealed. Observers were repeatedly tantalized with what they thought was a glimpse of the interior, only to find that they had been shown another facet of the surface. Everything in Elizabeth's early life taught her to pay careful attention to how she represented herself and how she was represented by others. She learned her lesson well.

      At the death of Mary on Nov. 17, 1558, Elizabeth came to the throne amid bells, bonfires, patriotic demonstrations, and other signs of public jubilation. Her entry into London and the great coronation procession that followed were masterpieces of political courtship. “If ever any person,” wrote one enthusiastic observer, “had either the gift or the style to win the hearts of people, it was this Queen, and if ever she did express the same it was at that present, in coupling mildness with majesty as she did, and in stately stooping to the meanest sort.” Elizabeth's smallest gestures were scrutinized for signs of the policies and tone of the new regime: When an old man in the crowd turned his back on the new queen and wept, Elizabeth exclaimed confidently that he did so out of gladness; when a girl in an allegorical pageant presented her with a Bible in English translation—banned under Mary's reign—Elizabeth kissed the book, held it up reverently, and then laid it on her breast; and when the abbot and monks of Westminster Abbey came to greet her in broad daylight with candles in their hands, she briskly dismissed them with the words “Away with those torches! we can see well enough.” Spectators were thus assured that under Elizabeth England had returned, cautiously but decisively, to the Reformation.

      The first weeks of her reign were not entirely given over to symbolic gestures and public ceremonial. The queen began at once to form her government and issue proclamations. She reduced the size of the Privy Council, in part to purge some of its Catholic members and in part to make it more efficient as an advisory body; she began a restructuring of the enormous royal household; she carefully balanced the need for substantial administrative and judicial continuity with the desire for change; and she assembled a core of experienced and trustworthy advisers, including William Cecil (Cecil, William, 1st Baron Burghley), Nicholas Bacon, Francis Walsingham, and Nicholas Throckmorton. Chief among these was Cecil (afterward Lord Burghley), whom Elizabeth appointed her principal secretary of state on the morning of her accession and who was to serve her (first in this capacity and after 1571 as lord treasurer) with remarkable sagacity and skill for 40 years.

The woman ruler in a patriarchal world
      In the last year of Mary's reign, the Scottish Calvinist preacher John Knox (Knox, John) wrote in his The First Blast of the Trumpet Against the Monstruous Regiment of Women that “God hath revealed to some in this our age that it is more than a monster in nature that a woman should reign and bear empire above man.” With the accession of the Protestant Elizabeth, Knox's trumpet was quickly muted, but there remained a widespread conviction, reinforced by both custom and teaching, that, while men were naturally endowed with authority, women were temperamentally, intellectually, and morally unfit to govern. Men saw themselves as rational beings; they saw women as creatures likely to be dominated by impulse and passion. Gentlemen were trained in eloquence and the arts of war; gentlewomen were urged to keep silent and attend to their needlework. In men of the upper classes a will to dominate was admired or at least assumed; in women it was viewed as dangerous or grotesque.

      Apologists for the queen countered that there had always been significant exceptions, such as the biblical Deborah, the prophetess who had judged Israel. Crown lawyers, moreover, elaborated a mystical legal theory known as “the king's two bodies.” When she ascended the throne, according to this theory, the queen's whole being was profoundly altered: her mortal “body natural” was wedded to an immortal “body politic.” “I am but one body, naturally considered,” Elizabeth declared in her accession speech, “though by [God's] permission a Body Politic to govern.” Her body of flesh was subject to the imperfections of all human beings (including those specific to womankind), but the body politic was timeless and perfect. Hence in theory the queen's gender was no threat to the stability and glory of the nation.

      Elizabeth made it immediately clear that she intended to rule in more than name only and that she would not subordinate her judgment to that of any one individual or faction. Since her sister's reign did not provide a satisfactory model for female authority, Elizabeth had to improvise a new model, one that would overcome the considerable cultural liability of her sex. Moreover, quite apart from this liability, any English ruler's power to compel obedience had its limits. The monarch was at the pinnacle of the state, but that state was relatively impoverished and weak, without a standing army, an efficient police force, or a highly developed, effective bureaucracy. To obtain sufficient revenue to govern, the crown had to request subsidies and taxes from a potentially fractious and recalcitrant Parliament. Under these difficult circumstances, Elizabeth developed a strategy of rule that blended imperious command with an extravagant, histrionic cult of love.

      The cult of Elizabeth as the Virgin Queen wedded to her kingdom was a gradual creation that unfolded over many years, but its roots may be glimpsed at least as early as 1555. At that time, according to a report that reached the French court, Queen Mary had proposed to marry her sister to the staunchly Catholic duke of Savoy; the usually cautious and impassive Elizabeth burst into tears, declaring that she had no wish for any husband. Other matches were proposed and summarily rejected. But in this vulnerable period of her life there were obvious reasons for Elizabeth to bide her time and keep her options open. No one—not even the princess herself—need have taken very seriously her professed desire to remain single. When she became queen, speculation about a suitable match immediately intensified, and the available options became a matter of grave national concern. Beyond the general conviction that the proper role for a woman was that of a wife, the dynastic and diplomatic stakes in the projected royal marriage were extremely high. If Elizabeth died childless, the Tudor line would come to an end. The nearest heir was Mary, Queen of Scots, the granddaughter of Henry VIII's sister Margaret. Mary, a Catholic whose claim was supported by France and other powerful Catholic states, was regarded by Protestants as a nightmarish threat that could best be averted if Elizabeth produced a Protestant heir.

      The queen's marriage was critical not only for the question of succession but also for the tangled web of international diplomacy. England, isolated and militarily weak, was sorely in need of the major alliances that an advantageous marriage could forge. Important suitors eagerly came forward: Philip II of Spain, who hoped to renew the link between Catholic Spain and England; Archduke Charles of Austria; Erik XIV, king of Sweden; Henry, Duke d'Anjou and later king of France; François, Duke d' Alençon; and others. Many scholars think it unlikely that Elizabeth ever seriously intended to marry any of these aspirants to her hand, for the dangers always outweighed the possible benefits, but she skillfully played one off against another and kept the marriage negotiations going for months, even years, at one moment seeming on the brink of acceptance, at the next veering away toward vows of perpetual virginity. “She is a Princess,” the French ambassador remarked, “who can act any part she pleases.”

      Elizabeth was courted by English suitors as well, most assiduously by her principal favourite, Robert Dudley, Earl of Leicester (Leicester, Robert Dudley, earl of, Baron Denbigh). As master of the horse and a member of the Privy Council, Leicester was constantly in attendance on the queen, who displayed toward him all the signs of an ardent romantic attachment. When in September 1560 Leicester's wife, Amy Robsart, died in a suspicious fall, the favourite seemed poised to marry his royal mistress—so at least widespread rumours had it—but, though the queen's behaviour toward him continued to generate scandalous gossip, the decisive step was never taken. Elizabeth's resistance to a marriage she herself seemed to desire may have been politically motivated, for Leicester had many enemies at court and an unsavory reputation in the country at large. But in October 1562 the queen nearly died of smallpox, and, faced with the real possibility of a contested succession and a civil war, even rival factions were likely to have countenanced the marriage.

      Probably at the core of Elizabeth's decision to remain single was an unwillingness to compromise her power. Sir Robert Naunton recorded that the queen once said angrily to Leicester, when he tried to insist upon a favour, “I will have here but one mistress and no master.” To her ministers she was steadfastly loyal, encouraging their frank counsel and weighing their advice, but she did not cede ultimate authority even to the most trusted. Though she patiently received petitions and listened to anxious advice, she zealously retained her power to make the final decision in all crucial affairs of state. Unsolicited advice could at times be dangerous: when in 1579 a pamphlet was published vehemently denouncing the queen's proposed marriage to the Catholic Duke d'Alençon, its author John Stubbs and his publisher William Page were arrested and had their right hands chopped off.

      Elizabeth's performances—her displays of infatuation, her apparent inclination to marry the suitor of the moment—often convinced even close advisers, so that the level of intrigue and anxiety, always high in royal courts, often rose to a feverish pitch. Far from trying to allay the anxiety, the queen seemed to augment and use it, for she was skilled at manipulating factions. This skill extended beyond marriage negotiations and became one of the hallmarks of her regime. A powerful nobleman would be led to believe that he possessed unique influence over the queen, only to discover that a hated rival had been led to a comparable belief. A golden shower of royal favour—apparent intimacies, public honours, the bestowal of such valuable perquisites as land grants and monopolies—would give way to royal aloofness or, still worse, to royal anger. The queen's anger was particularly aroused by challenges to what she regarded as her prerogative (whose scope she cannily left undefined) and indeed by any unwelcome signs of independence. The courtly atmosphere of vivacity, wit, and romance would then suddenly chill, and the queen's behaviour, as her godson Sir John Harington put it, “left no doubtings whose daughter she was.” This identification of Elizabeth with her father, and particularly with his capacity for wrath, is something that the queen herself—who never made mention of her mother—periodically invoked.

 A similar blend of charm and imperiousness characterized the queen's relations with Parliament, on which she had to depend for revenue. Many sessions of Parliament, particularly in the early years of her rule, were more than cooperative with the queen; they had the rhetorical air of celebrations. But under the strain of the marriage-and-succession question, the celebratory tone, which masked serious policy differences, began over the years to wear thin, and the sessions involved complicated, often acrimonious negotiations between crown and commons. More radical members of Parliament wanted to include in debate broad areas of public policy; the queen's spokesmen struggled to restrict free discussion to government bills. Elizabeth had a rare gift for combining calculated displays of intransigence with equally calculated displays of graciousness and, on rare occasions, a prudent willingness to concede. Whenever possible, she transformed the language of politics into the language of love, likening herself to the spouse or the mother of her kingdom. Characteristic of this rhetorical strategy was her famous “Golden Speech” of 1601, when, in the face of bitter parliamentary opposition to royal monopolies, she promised reforms:I do assure you, there is no prince that loveth his subjects better, or whose love can countervail our love. There is no jewel, be it of never so rich a price, which I set before this jewel; I mean, your love: for I do more esteem of it, than of any treasure or riches.

      A discourse of rights or interests thus became a discourse of mutual gratitude, obligation, and love. “We all loved her,” Harington wrote with just a trace of irony, “for she said she loved us.” In her dealings with parliamentary delegations, as with suitors and courtiers, the queen contrived to turn her gender from a serious liability into a distinct advantage.

Religious questions and the fate of Mary, Queen of Scots
 Elizabeth restored England to Protestantism. The Act of Supremacy, passed by Parliament and approved in 1559, revived the antipapal statutes of Henry VIII and declared the queen supreme governor of the church (England, Church of), while the Act of Uniformity established a slightly revised version of the second Edwardian prayer book as the official order of worship. Elizabeth's government moved cautiously but steadily to transfer these structural and liturgical reforms from the statute books to the local parishes throughout the kingdom. Priests, temporal officers, and men proceeding to university degrees were required to swear an oath to the royal supremacy or lose their positions; absence from Sunday church service was punishable by a fine; royal commissioners sought to ensure doctrinal and liturgical conformity. Many of the nobles and gentry, along with a majority of the common people, remained loyal to the old faith, but all the key positions in the government and church were held by Protestants who employed patronage, pressure, and propaganda, as well as threats, to secure an outward observance of the religious settlement.

      But to militant Protestants, including exiles from the reign of Queen Mary newly returned to England from Calvinist Geneva and other centres of continental reform, these measures seemed hopelessly pusillanimous and inadequate. They pressed for a drastic reform of the church hierarchy and church courts, a purging of residual Catholic elements in the prayer book and ritual, and a vigorous searching out and persecution of recusants. Each of these demands was repugnant to the queen. She felt that the reforms had gone far enough and that any further agitation would provoke public disorder, a dangerous itch for novelty, and an erosion of loyalty to established authority. Elizabeth, moreover, had no interest in probing the inward convictions of her subjects; provided that she could obtain public uniformity and obedience, she was willing to let the private beliefs of the heart remain hidden. This policy was consistent with her own survival strategy, her deep conservatism, and her personal dislike of evangelical fervour. When in 1576 the archbishop of Canterbury, Edmund Grindal (Grindal, Edmund), refused the queen's orders to suppress certain reformist educational exercises, called “propheseyings,” Grindal was suspended from his functions and never restored to them. Upon Grindal's death, Elizabeth appointed a successor, Archbishop Whitgift, who vigorously pursued her policy of an authoritarian ecclesiastical regime and a relentless hostility to Puritan reformers.

      If Elizabeth's religious settlement was threatened by Protestant dissidents, it was equally threatened by the recalcitrance and opposition of English Catholics. At first this opposition seemed relatively passive, but a series of crises in the late 1560s and early '70s disclosed its potential for serious, even fatal, menace. In 1569 a rebellion of feudal aristocrats and their followers in the staunchly Catholic north of England was put down by savage military force; while in 1571 the queen's informers and spies uncovered an international conspiracy against her life, known as the Ridolfi Plot. Both threats were linked at least indirectly to Mary, Queen of Scots, who had been driven from her own kingdom in 1568 and had taken refuge in England. The presence, more prisoner than guest, of the woman whom the Roman Catholic church regarded as the rightful queen of England posed a serious political and diplomatic problem for Elizabeth, a problem greatly exacerbated by Mary's restless ambition and penchant for conspiracy. Elizabeth judged that it was too dangerous to let Mary leave the country, but at the same time she firmly rejected the advice of Parliament and many of her councillors that Mary should be executed. So a captive, at once ominous, malevolent, and pathetic, Mary remained.

      The alarming increase in religious tension, political intrigue, and violence was not only an internal, English concern. In 1570 Pope Pius V (Pius V, Saint) excommunicated Elizabeth and absolved her subjects from any oath of allegiance that they might have taken to her. The immediate effect was to make life more difficult for English Catholics, who were the objects of a suspicion that greatly intensified in 1572 after word reached England of the St. Bartholomew's Day massacre of Protestants (Huguenots) in France. Tension and official persecution of recusants increased in the wake of the daring clandestine missionary activities of English Jesuits, trained on the Continent and smuggled back to England. Elizabeth was under great pressure to become more involved in the continental struggle between Roman Catholics and Protestants, in particular to aid the rebels fighting the Spanish armies in the Netherlands. But she was very reluctant to become involved, in part because she detested rebellion, even rebellion undertaken in the name of Protestantism, and in part because she detested expenditures. Eventually, after vacillations that drove her councillors to despair, she agreed first to provide some limited funds and then, in 1585, to send a small expeditionary force to the Netherlands.

      Fears of an assassination attempt against Elizabeth increased after Pope Gregory XIII proclaimed in 1580 that it would be no sin to rid the world of such a miserable heretic. In 1584 Europe's other major Protestant leader, William of Orange, was assassinated. Elizabeth herself showed few signs of concern—throughout her life she was a person of remarkable personal courage—but the anxiety of the ruling elite was intense. In an ugly atmosphere of intrigue, torture and execution of Jesuits, and rumours of foreign plots to kill the queen and invade England, Elizabeth's Privy Council drew up a Bond of Association, pledging its signers, in the event of an attempt on Elizabeth's life, to kill not only the assassins but also the claimant to the throne in whose interest the attempt had been made. The Association was clearly aimed at Mary, whom government spies, under the direction of Sir Francis Walsingham (Walsingham, Sir Francis), had by this time discovered to be thoroughly implicated in plots against the queen's life. When Walsingham's men in 1586 uncovered the Babington Plot, another conspiracy to murder Elizabeth, the wretched Queen of Scots, her secret correspondence intercepted and her involvement clearly proved, was doomed. Mary was tried and sentenced to death. Parliament petitioned that the sentence be carried out without delay. For three months the queen hesitated and then with every sign of extreme reluctance signed the death warrant. When the news was brought to her that on Feb. 8, 1587, Mary had been beheaded, Elizabeth responded with an impressive show of grief and rage. She had not, she wrote to Mary's son, James VI of Scotland, ever intended that the execution actually take place, and she imprisoned the man who had delivered the signed warrant. It is impossible to know how many people believed Elizabeth's professions of grief; Catholics on the Continent wrote bitter denunciations of the queen, while Protestants throughout the kingdom enthusiastically celebrated the death of a woman they had feared and hated.

      For years Elizabeth had cannily played a complex diplomatic game with the rival interests of France and Spain, a game comparable to her domestic manipulation of rival factions. State-sanctioned privateering raids, led by Sir Francis Drake (Drake, Sir Francis) and others, on Spanish shipping and ports alternated with conciliatory gestures and peace talks. But by the mid-1580s it became increasingly clear that England could not avoid a direct military confrontation with Spain. Word reached London that the Spanish king, Philip II, had begun to assemble an enormous fleet that would sail to the Netherlands, join forces with a waiting Spanish army led by the duke of Parma, and then proceed to an invasion and conquest of Protestant England. Always reluctant to spend money, the queen had nonetheless authorized sufficient funds during her reign to maintain a fleet of maneuverable, well-armed fighting ships, to which could be added other vessels from the merchant fleet. When in July 1588 the Invincible Armada reached English waters, the queen's ships, in one of the most famous naval encounters of history, defeated the enemy fleet, which then in an attempt to return to Spain was all but destroyed by terrible storms.

      At the moment when the Spanish invasion was imminently expected, Elizabeth resolved to review in person a detachment of soldiers assembled at Tilbury. Dressed in a white gown and a silver breastplate, she rode through the camp and proceeded to deliver a celebrated speech. Some of her councillors, she said, had cautioned her against appearing before a large, armed crowd, but she did not and would not distrust her faithful and loving people. Nor was she afraid of Parma's army: “I know I have the body of a weak and feeble woman,” Elizabeth declared, “but I have the heart and stomach of a king, and of a king of England too.” She then promised, “in the word of a Prince,” richly to reward her loyal troops, a promise that she characteristically proved reluctant to keep. The scene exemplifies many of the queen's qualities: her courage, her histrionic command of grand public occasions, her rhetorical blending of magniloquence and the language of love, her strategic identification with martial virtues considered male, and even her princely parsimony.

The queen's image
      Elizabeth's parsimony did not extend to personal adornments. She possessed a vast repertory of fantastically elaborate dresses and rich jewels. Her passion for dress was bound up with political calculation and an acute self-consciousness about her image. She tried to control the royal portraits that circulated widely in England and abroad, and her appearances in public were dazzling displays of wealth and magnificence. Throughout her reign she moved restlessly from one of her palaces to another—Whitehall, Nonsuch, Greenwich, Windsor, Richmond, Hampton Court, and Oatlands—and availed herself of the hospitality of her wealthy subjects. On her journeys, known as royal progresses, she wooed her people and was received with lavish entertainments. Artists, including poets (English literature) like Edmund Spenser and painters like Nicholas Hilliard, celebrated her in a variety of mythological guises—as Diana, the chaste goddess of the moon; Astraea, the goddess of justice; Gloriana, the queen of the fairies—and Elizabeth, in addition to adopting these fanciful roles, appropriated to herself some of the veneration that pious Englishmen had directed to the Virgin Mary.

      “She imagined,” wrote Francis Bacon a few years after the queen's death, “that the people, who are much influenced by externals, would be diverted by the glitter of her jewels, from noticing the decay of her personal attractions.” Bacon's cynicism reflects the darkening tone of the last decade of Elizabeth's reign, when her control over her country's political, religious, and economic forces and over her representation of herself began to show severe strains. Bad harvests, persistent inflation, and unemployment caused hardship and a loss of public morale. Charges of corruption and greed led to widespread popular hatred of many of the queen's favourites to whom she had given lucrative and much-resented monopolies. A series of disastrous military attempts to subjugate the Irish culminated in a crisis of authority with her last great favourite, Robert Devereux, the proud Earl of Essex (Essex, Robert Devereux, 2nd earl of, Viscount Hereford, Lord Ferrers, Lord Bourchier), who had undertaken to defeat rebel forces led by Hugh O'Neill, Earl of Tyrone. Essex returned from Ireland against the queen's orders, insulted her in her presence, and then made a desperate, foolhardy attempt to raise an insurrection. He was tried for treason and executed on Feb. 25, 1601.

      Elizabeth continued to make brilliant speeches, to exercise her authority, and to receive the extravagant compliments of her admirers, but she was, as Sir Walter Raleigh remarked, “a lady surprised by time,” and her long reign was drawing to a close. She suffered from bouts of melancholy and ill health and showed signs of increasing debility. Her more astute advisers—among them Lord Burghley's son, Sir Robert Cecil (Salisbury, Robert Cecil, 1st earl of), who had succeeded his father as her principal counselor—secretly entered into correspondence with the likeliest claimant to the throne, James VI (James I) of Scotland. Having reportedly indicated James as her successor, Elizabeth died quietly. The nation enthusiastically welcomed its new king. But in a very few years the English began to express nostalgia for the rule of “Good Queen Bess.” Long before her death she had transformed herself into a powerful image of female authority, regal magnificence, and national pride, and that image has endured to the present.

Stephen J. Greenblatt

Additional Reading

Writings by Elizabeth
Some of Elizabeth's private letters appear in The Letters of Queen Elizabeth, ed. by G.B. Harrison (1935, reprinted 1981); others are included in The Girlhood of Queen Elizabeth: A Narrative in Contemporary Letters, ed. by Frank A. Mumby (1909). Both of these volumes, however, include letters whose authenticity is doubtful. Elizabeth's translations of classical verse by Boethius, Plutarch, and Horace are published in Queen Elizabeth's Englishings . . . , ed. by Caroline Pemberton (1899, reprinted 1975); and her poetry appears in The Poems of Queen Elizabeth I, ed. by Leicester Bradner (1964). A brief sampling of her speeches may be found in The Public Speaking of Queen Elizabeth: Selections from the Official Addresses, ed. by George P. Rice, Jr. (1951, reissued 1966); a more complete selection is available in J.E. Neale, Elizabeth I and Her Parliaments, 2 vol. (1953–57, reissued 1966), which reprints complete transcripts of the queen's known addresses to Parliament. The speeches she made while on royal progresses are included in John Nichols, The Progresses and Public Processions of Queen Elizabeth, new ed., 3 vol. (1823, reprinted 1966).

The standard biography of Elizabeth remains J.E. Neale, Queen Elizabeth (1934, reissued as Queen Elizabeth I, 1971). It should be supplemented by other scholarly biographies; among the most useful are J.B. Black, The Reign of Elizabeth, 1558–1603, 2nd ed. (1959); Neville Williams, Elizabeth, Queen of England (1967; U.S. title, Elizabeth the First, Queen of England, 1968), which stresses the formation under Elizabeth of an English national consciousness; and Paul Johnson, Elizabeth I: A Biography (U.K. title, Elizabeth I: A Study in Power and Intellect, 1974). Jasper Ridley, Elizabeth I (1987; U.S. title, Elizabeth I: The Shrewdness of Virtue, 1988), emphasizes the role of religion in the queen's domestic and foreign policy. Christopher Haigh, Elizabeth I, 2nd ed. (1998), is a lively exposition of a skeptical case. David Starkey, Elizabeth: Apprenticeship (2000), is a fresh look based on a rereading of her early life. Popular biographies of Elizabeth, even when well researched, tend to be highly speculative about Elizabeth's emotions and motivations. Among them are Elizabeth Jenkins, Elizabeth the Great (1958, reissued 1972); Lacey Baldwin Smith, Elizabeth Tudor: Portrait of a Queen (1975); Carolly Erickson, The First Elizabeth (1983); and Alison Plowden, The Young Elizabeth (1971), and Elizabeth Regina: The Age of Triumph, 1588–1603 (1980). Selections and extracts of contemporary accounts of Elizabeth may be found in Joseph M. Levine (ed.), Elizabeth I (1969); Richard L. Greaves (ed.), Elizabeth I, Queen of England (1974); and Lacey Baldwin Smith (ed.), Elizabeth I (1980).

Elizabethan government and politics
For the controversy over women's right to rule a nation, see Paula Louise Scalingi, “The Scepter or the Distaff: The Question of Female Sovereignty, 1515–1607,” Historian, 41(1):59–75 (1978). The doctrine of the king's two bodies is explained in Ernst H. Kantorowicz, The King's Two Bodies: A Study in Mediaeval Political Theology (1957, reissued 1987); and applied to the case of Elizabeth in Marie Axton, The Queen's Two Bodies: Drama and the Elizabethan Succession (1977). Allison Heisch, “Queen Elizabeth I: Parliamentary Rhetoric and the Exercise of Power,” Signs, 1(1):31–55 (Autumn 1975), analyzes the strategies and effects of Elizabeth's masterful parliamentary speeches. A particularly thorough analysis of how—and with what consequences—a male-dominated society came to accept strong female rule can be found in A.N. McLaren, Political Culture in the Reign of Elizabeth I (1999).The structure and practice of Tudor administration is analyzed in Penry Williams, The Tudor Regime (1979, reissued 1981), which may be supplemented by Christopher Coleman and David Starkey (eds.), Revolution Reassessed: Revisions in the History of Tudor Government and Administration (1986); and David Loades, The Tudor Court (1986). The operations of Elizabeth's government are treated in detail in Wallace MacCaffrey, The Shaping of the Elizabethan Regime (1968, reissued 1971), which addresses the early years of her reign, and Queen Elizabeth and the Making of Policy, 1572–1588 (1981). Joel Hurstfield, Elizabeth I and the Unity of England (1960, reissued 1971), deals with Elizabeth's largely successful efforts at creating national unity in the face of profound religious, social, and political changes. For the ways in which Elizabethan politics led to 17th-century revolution, see Lawrence Stone, The Causes of the English Revolution, 1529–1642, 2nd ed. (1986); and Christopher Hill, Intellectual Origins of the English Revolution (1965, reprinted 1980).Aspects of the succession question are addressed by Mortimer Levine, The Early Elizabethan Succession Question, 1558–1568 (1966); Stephen Alford, The Early Elizabethan Polity: William Cecil and the British Succession Crisis, 1558-1569 (1998, reissued 2002); and Joel Hurstfield, “The Succession Struggle in Late Elizabethan England,” in S.T. Bindoff, Joel Hurstfield, and C.H. Williams, Elizabethan Government and Society (1961), ch. 13, pp. 369–396. Elizabeth's religious policies are studied in William P. Haugaard, Elizabeth and the English Reformation: The Struggle for a Stable Settlement of Religion (1968). The religious affiliations of her councillors are addressed in Winthrop S. Hudson, The Cambridge Connection and the Elizabethan Settlement of 1559 (1980). For foreign policy, see R.B. Wernham, The Making of Elizabethan Foreign Policy, 1558–1603 (1980); and Garrett Mattingly, Renaissance Diplomacy (1955, reprinted 1988).Useful overviews of Elizabethan government are given in Alan G.R. Smith, The Government of Elizabethan England (1967); S.T. Bindoff, Tudor England (1950, reprinted 1979); and Christopher Haigh (ed.), The Reign of Elizabeth I (1984).

The image of Elizabeth
The iconography of the queen's image is examined in Roy Strong, Gloriana: The Portraits of Queen Elizabeth I, rev. ed. (1987), and The Cult of Elizabeth: Elizabethan Portraiture and Pageantry (1977, reprinted 1986), which also treats the chivalric revival under Elizabeth. Elizabeth's image in literature is exhaustively treated in Elkin Calhoun Wilson, England's Eliza (1939, reissued 1966); and in Frances Yates, Astraea: The Imperial Theme in the Sixteenth Century (1975, reissued 1985). The relations between Elizabeth's image and literary representations of her are investigated in Louis Adrian Montrose, “ ‘Eliza, Queene of shepheardes,' and the Pastoral of Power,” English Literary Renaissance, 10(2):153–182 (1980), and “ ‘Shaping Fantasies': Figurations of Gender and Power in Elizabethan Culture,” Representations, 1(2):61–94 (Spring 1983). For the staging of the self in this period, see Stephen Greenblatt, Renaissance Self-Fashioning: From More to Shakespeare (1980).

A comprehensive bibliography of works relating to Elizabeth and her times is the Bibliography of British History: Tudor Period 1485–1603, ed. by Conyers Read, 2nd ed. (1959, reissued 1978). Other bibliographies include Mortimer Levine, Tudor England 1485–1603 (1968); and G.R. Elton, Modern Historians on British History, 1485–1945: A Critical Bibliography, 1945–1969 (1970).John S. Morrill

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