art deco

a style of decorative art developed originally in the 1920s with a revival in the 1960s, marked chiefly by geometric motifs, curvilinear forms, sharply defined outlines, often bold colors, and the use of synthetic materials, as plastics.

Also, Art Deco. Also called deco, Deco.

[1965-70; < F Art Déco, shortened from Exposition Internationale des Arts Décoratifs et Industriels Modernes, an exposition of modern decorative and industrial arts held in Paris, France, in 1925]

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or Style Moderne

Movement in design, interior decoration, and architecture in the 1920s and '30s in Europe and the U.S. The name derives from the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris in 1925.

Its products included both individually crafted luxury items and mass-produced wares, but, in either case, the intention was to create a sleek and antitraditional elegance that symbolized wealth and sophistication. Influenced by Art Nouveau, Bauhaus, Cubist, Native American, and Egyptian sources, the distinguishing features of the style are simple, clean shapes, often with a "streamlined" look; ornament that is geometric or stylized from representational forms; and unusually varied, often expensive materials, which frequently include man-made substances (plastics, especially bakelite; vita-glass; and ferroconcrete) in addition to natural ones (jade, silver, ivory, obsidian, chrome, and rock crystal). Typical motifs included stylized animals, foliage, nude female figures, and sun rays. New York City's Rockefeller Center (especially its interiors supervised by Donald Deskey), the Chrysler Building by William Van Alen, and the Empire State Building by Shreve, Lamb & Harmon are the most monumental embodiments of Art Deco.

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▪ art movement

also called  style moderne  

      movement in the decorative arts and architecture (Western architecture) that originated in the 1920s and developed into a major style in western Europe and the United States during the 1930s. Its name was derived from the Exposition Internationale des Arts Décoratifs et Industriels Modernes, held in Paris in 1925, where the style was first exhibited. Art Deco design represented modernism turned into fashion. Its products included both individually crafted luxury items and mass-produced wares, but, in either case, the intention was to create a sleek and antitraditional elegance that symbolized wealth and sophistication.

      The distinguishing features of the style are simple, clean shapes, often with a “streamlined” look; ornament that is geometric or stylized from representational forms; and unusually varied, often expensive materials, which frequently include man-made substances (plastics, especially bakelite; vita-glass; and ferroconcrete) in addition to natural ones (jade, silver, ivory, obsidian, chrome, and rock crystal). Though Art Deco objects were rarely mass-produced, the characteristic features of the style reflected admiration for the modernity of the machine and for the inherent design qualities of machine-made objects (e.g., relative simplicity, planarity, symmetry, and unvaried repetition of elements).

 Among the formative influences on Art Deco were Art Nouveau, the Bauhaus, Cubism, and Sergey Diaghilev's Ballets Russes. Decorative ideas came from American Indian, Egyptian, and early classical sources as well as from nature. Characteristic motifs included nude female figures, animals, foliage, and sunrays, all in conventionalized forms.

 Most of the outstanding Art Deco creators designed individually crafted or limited-edition items. They included the furniture designers Jacques Ruhlmann and Maurice Dufrène; the architect Eliel Saarinen; metalsmith Jean Puiforcat; glass and jewelry designer René Lalique; fashion designer Erté; artist-jewelers Raynmond Templier, Jean Fouquet René Robert, H.G. Murphy, and Wiwen Nilsson; and the figural sculptor Chiparus. The fashion designer Paul Poiret (Poiret, Paul) and the graphic artist Edward McKnight Kauffer represent those whose work directly reached a larger audience. New York City's Rockefeller Center (especially its interiors supervised by Donald Deskey (Deskey, Donald)), the Chrysler Building by William Van Alen, and the Empire State Building by Shreve, Lamb & Harmon are the most monumental embodiments of Art Deco. Although the style went out of fashion during World War II, beginning in the late 1960s there was a renewed interest in Art Deco design.

 

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