Camden Town Group

a group of British artists based in London in the early 20th century, including Walter Sickert and Augustus John. They organized exhibitions together of their paintings of the ordinary scenes, objects and people of London.

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Group of English painters formed in 1911.

The artists met weekly in the studio of Walter Sickert (1860–1942), the group's prime inspiration, in a working-class area of London. The Camden Town artists utilized an Impressionist technique but were also open to the influence of Post-Impressionism. Their subject matter was derived from the everyday life of an English industrial town. Despite a somewhat expressive use of colour, their paintings remained representational and realistic, reflecting an interpretation of a modern aesthetic different from the more formally daring developments emerging in Paris at the same time. The Camden Town Group was absorbed in 1913 by the London Group, a combination of several smaller groups of contemporary English artists.

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▪ British art group

 group of English Post-Impressionist artists who met on a weekly basis in the studio of the painter Walter Sickert (Sickert, Walter Richard) in Camden Town (an area of London).

      Upon Sickert's return to London from Venice in 1905, Harold Gilman, Frederick Spencer Gore, Lucien Pissarro (son of French Impressionist painter Camille Pissarro), Augustus John, Henry Lamb, J.B. Manson, Robert Bevan, Walter Bayes, and Charles Ginner, all recent visitors to Paris, assembled unofficially at Sickert's studio. There they engaged in lively discussions about the developments in contemporary French art. Their meetings brought a sense of French bohemianism into the English art world of the time. When the critic Frank Rutter joined the group in 1908, he proposed that the group organize itself after the French Salon des Indépendants. They thus formed the Allied Artists Association, completely independent of the established art societies such as the Royal Academy. The association held its exhibits of French and English Post-Impressionism at the Royal Albert Hall. In 1911 Sickert's circle officially became the Camden Town Group. At the three important exhibitions held at the Carfax Gallery and sponsored by the Camden Town Group in the years 1911 and 1912, early French Fauve and Cubist paintings were introduced to the public.

      The Camden Town artists knew the Impressionist (Impressionism) technique well but were also open to the influence of Post-Impressionists such as Paul Gauguin (Gauguin, Paul) and Paul Cézanne (Cézanne, Paul). Because the group was primarily interested in pictorial structure, it particularly turned to Cézanne for inspiration. Their subject matter was derived from the everyday life of an English industrial town. Despite a somewhat expressive use of colour, their paintings remained representational and realistic, reflecting an interpretation of a modern aesthetic different from the more formally daring developments emerging in Paris at the same time. The Camden Town Group was absorbed in 1913 by the London Group, a combination of several smaller groups of contemporary English artists.

Additional Reading

Wendy Baron and M. Cormack, The Camden Town Group (1979); Charles Harrison, English Art and Modernism: 1900–1939, 2nd ed. (1994).

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