Vigée-Lebrun, Elisabeth

▪ French painter

in full  Marie-Louise-Elisabeth Vigée-Lebrun , Lebrun also spelled  LeBrun  or  Le Brun 

born April 16, 1755, Paris, France

died March 30, 1842, Paris

 French painter, one of the most successful women artists (unusually so for her time), particularly noted for her portraits of women.

      Her father and first teacher, Louis Vigée, was a noted portraitist who worked chiefly in pastels. In 1776 she married an art dealer, J.-B.-P. Lebrun. Her great opportunity came in 1779 when she was summoned to Versailles to paint a portrait of Queen Marie-Antoinette. The two women became friends, and in subsequent years Vigée-Lebrun painted more than 20 portraits of Marie-Antoinette in a great variety of poses and costumes. She also painted a great number of self-portraits, in the style of various artists whose work she admired. (The self-portrait that illustrates this article was painted in the style of Peter Paul Rubens and was inspired by his portrait of his sister-in-law, Suzanne Lunden.) In 1783, because of her friendship with the queen, Vigée-Lebrun was grudgingly accepted into the Royal Academy.

      On the outbreak of the Revolution in 1789, she left France and for 12 years lived abroad, traveling to Rome, Naples, Vienna, Berlin, St. Petersburg, and Moscow, painting portraits and playing a leading role in society. In 1801 she returned to Paris but, disliking Parisian social life under Napoleon, soon left for London, where she painted portraits of the court and of Lord Byron. Later she went to Switzerland (and painted a portrait of Mme de Staël) and then again (c. 1810) to Paris, where she continued to paint until her death.

      Vigée-Lebrun was a woman of much wit and charm, and her memoirs, Souvenirs de ma vie (1835–37; “Reminiscences of My Life”; Eng. trans. Memoirs of Madame Vigée Lebrun), provide a lively account of her life and times. She was one of the most technically fluent portraitists of her era, and her pictures are notable for freshness, charm, and sensitivity of presentation. During her career, according to her own account, she painted 900 pictures, including some 600 portraits and about 200 landscapes.

Additional Reading

Angelica Goodden, The Sweetness of Life: A Biography of Elisabeth Louise Vigée Le Brun (1997) is a good biography. Critical approaches to her work include Mary D. Sheriff, The Exceptional Woman: Elisabeth Vigée-Lebrun and the Cultural Politics of Art (1996).

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