Minoan civilization

  Bronze Age civilization of Crete that flourished from about 3000 BC to about 1100 BC. Its name derives from Minos, either a dynastic title or the name of a particular ruler of Crete who has a place in Greek legend.

      A brief treatment of Minoan civilization follows. For full treatment, see Aegean civilizations.

       Crete became the foremost site of Bronze Age culture in the Aegean Sea, and in fact it was the first centre of high civilization in that area, beginning at the end of the 3rd millennium BC. Reaching its peak about 1600 BC and the later 15th century, Minoan civilization was remarkable for its great cities and palaces, its extended trade throughout the Levant and beyond, and its use of writing. Its sophisticated art included elaborate seals, pottery (especially the famous Kamáres ware with its light-on-dark style of decoration), and, above all, delicate, vibrant frescoes (fresco painting) found on palace walls. These frescoes display both secular and religious scenes, such as magical gardens, monkeys, and wild goats or fancifully dressed goddesses that testify to the Minoans' predominantly matriarchal religion. Among the most familiar motifs of Minoan art are the snake, symbol of the goddess, and the bull; the ritual of bull-leaping, found, for example, on cult vases, seems to have had a religious or magical basis.

      By about 1580 BC Minoan civilization began to spread across the Aegean to neighbouring islands and to the mainland of Greece (ancient Greek civilization). Minoan cultural influence was reflected in the Mycenean culture of the mainland, which began to spread throughout the Aegean about 1500 BC.

 By the middle of the 15th century the palace culture on Crete was destroyed by conquerors from the mainland. They established a new order on Crete, with centres at Knossos and Phaistos. Following the conquest, the island experienced a wonderful fusion of Cretan and mainland skills. The Late Minoan period (c. 1400–c. 1100 BC), however, was a time of marked decline in both economic power and aesthetic achievement (see photograph—>).

 

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