- Lancaster, Burton Stephen
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▪ 1995U.S. motion-picture actor (b. Nov. 2, 1913, New York, N.Y.—d. Oct. 20, 1994, Los Angeles, Calif.), brought a strong, intelligent presence to the screen in a diverse array of emotion-packed roles, ranging from those in Hollywood westerns to European art films, but he was perhaps best remembered for his Academy Award-winning performance as a fiery evangelist and con man in Elmer Gantry (1960). Tall, lithe, and distinguished by his winning smile, Lancaster first played to audiences as part of a two-man acrobatic team in a traveling circus. After the act was dissolved, he held various jobs in Chicago before serving in World War II. When the war ended, he won a small part in a Broadway production of A Sound of Hunting (1945). Lancaster made his screen debut in The Killers (1946) and became an overnight sensation with his charisma and handsome ruggedness. He then starred in a number of thrillers and melodramas, including Brute Force (1947), Sorry, Wrong Number (1948), and Criss Cross (1949), and such adventures as The Flame and the Arrow (1950) and The Crimson Pirate (1952). More complex roles followed, and Lancaster gave compelling performances in Come Back, Little Sheba (1952), The Rose Tattoo (1955), and From Here to Eternity (1953), which featured a steamy beach scene with Deborah Kerr. In 1948 Lancaster and his agent Harold Hecht founded an independent production company, which turned out a string of starring vehicles for him. Among them was Sweet Smell of Success (1957), with Lancaster portraying a brutal, Walter Winchell-like gossip columnist. He poignantly portrayed loneliness as an inhabitant of a hotel in Separate Tables (1958) and as an inmate in Birdman of Alcatraz (1962), which led to his role as a prince in The Leopard (1963), directed by Luchino Visconti. Lancaster returned to Hollywood to make Seven Days in May (1964), The Professionals (1966), and the hugely successful Airport (1970) before starring as the haunted professor in another Visconti film, Conversation Piece (1974). In 1976 he appeared in both Bernardo Bertolucci's 1900 and Robert Altman's Buffalo Bill and the Indians. Lancaster also won acclaim for his performances in Atlantic City (1981), Tough Guys (1986), and Field of Dreams (1989), his last big-screen film. Off-screen Lancaster supported the NAACP and served as president (1968-70) and as a board member (1968-92) of the American Civil Liberties Union Foundation of Southern California.
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Universalium. 2010.