Marenzio, Luca

born 1553, Coccaglio, near Brescia, Republic of Venice

died Aug. 22, 1599, Rome

Italian composer.

He was probably trained as a choirboy in Brescia, and he was in service with Cardinal Luigi d'Este in Rome from 1578 to 1586. The cardinal's patronage enabled the publication in the 1580s of the first 10 of his 25 books of madrigals, the works for which he is best known and whose style became influential in Italy and England. His later madrigals, more serious in tone, use dissonance and chromaticism to reflect their texts, and they are sometimes linked into cycles. He also composed some 75 sacred motets.

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▪ Italian composer

born 1553, Coccaglio, near Brescia, Republic of Venice [now Italy]

died Aug. 22, 1599, Rome

      composer whose madrigals are considered to be among the finest examples of Italian madrigals of the late 16th century.

      Marenzio published a large number of madrigals and villanelles and five books of motets. He developed an individual technique and was skilled in evoking moods and images suggested by the poetic texts of the madrigals. He exploited passages in a homophonic, or chordal, style in place of the polyphonic style characteristic of earlier madrigals. He was a daring harmonist: his chromaticism occasionally led to advanced enharmonic modulations, and he sometimes left dissonances unresolved for dramatic effect. He exerted a strong influence on Claudio Monteverdi, Don Carlo Gesualdo, and Hans Hassler and was much-admired in England, where his works were printed in N. Yonge's Musica transalpina (1588), a collection that stimulated the composition of English madrigals.

      Marenzio was probably trained as a choirboy in Brescia, and he was in service with Cardinal Luigi d'Este in Rome from 1578 to 1586. In 1588 he went to Florence, where he worked with the circle of musicians and poets associated with Count Giovanni Bardi. Later he was in the service of Cardinal Cinzio Aldobrandini in Rome. In 1594 he visited Sigismund III of Poland, returned to Rome in 1595, and went again to Poland in 1596. In 1598 he was in Venice and later was appointed musician at the papal court.

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