Maekawa Kunio

born May 14, 1905, Niigata-shi, Japan

died June 27, 1986, Tokyo

Japanese architect.

Maekawa worked as a drafter for Le Corbusier in Paris and for Antonin Raymond in Tokyo. In early works, such as Hinamoto Hall (1936) and the Dairen Town Hall (1938), he tried to counteract the pompous style of the Japanese imperialist regime. In the 1950s he continued to work primarily in the Brutalist style of Le Corbusier (see Brutalism). Buildings such as the Educational Centre in Fukushima (1955) and the Harumi flats and the Setagaya Community Centre, both in Tokyo (1959), reflect his efforts to use concrete in a manner appropriate to the material. His community centres influenced Tange Kenzo, who started out in Maekawa's office.

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▪ Japanese architect

Maekawa also spelled  Mayekawa  

born May 14, 1905, Niigata-shi, Japan

died June 27, 1986, Tokyo

      Japanese architect noted for his designs of community centres and his work in concrete.

      After graduation from Tokyo University in 1928, Maekawa studied with the architect Le Corbusier in Paris for two years. Returning to Japan, he tried in such works as Hinamoto Hall (1936) and the Dairen Town Hall (1938) to counteract the pompous style of the Japanese imperialist regime. In the 1950s he continued to work primarily in the style of Le Corbusier. Buildings such as the Educational Centre, Fukushima (1955), the Harumi flats in Tokyo (1959), and the Setagaya Community Centre in Tokyo (1959) reflect his efforts to use concrete in a manner appropriate to the material.

      Beginning with the Tokyo Metropolitan Festival Hall (1961), Maekawa displayed a warmer and more expansive style. In the Saitama Cultural Centre (1966), he brought an entirely new approach to the design of community centres. He also designed the Japanese pavilions for both the Brussels World's Fair (1958) and the New York World's Fair (1964–65).

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