Catlett, Elizabeth

Catlett, Elizabeth
born April 15, 1919, Washington, D.C., U.S.

Expatriate U.S. sculptor and printmaker.

Catlett was born into a middle-class family. After studying sculpture, she went to Mexico City in 1946 to work at the Taller de Gráfica Popular, an artists' collective, where she created prints depicting Mexican life. About 1962 she took Mexican citizenship. In her sculptures and prints, Catlett focused on mother-child pairings, famous subjects such as Harriet Tubman and Malcolm X, and anonymous workers
notably strong, solitary black women.

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▪ Mexican artist
born April 15, 1919, Washington, D.C., U.S.

      expatriate American sculptor and printmaker renowned for her intensely political art.

      The granddaughter of slaves, Catlett was born into a middle-class Washington family; her father was a professor of mathematics at Tuskegee Institute. Disallowed entrance into the Carnegie Institute of Technology because she was black, Catlett enrolled at Howard University (B.A., c. 1936), where she studied design, printmaking, and drawing and was influenced by the art theories of Alain Locke (Locke, Alain) and James A. Porter. While working as a muralist for two months during the mid-1930s with the Federal Art Project of the Works Progress Administration, she became influenced by the social activism of Mexican muralist Diego Rivera (Rivera, Diego).

      In 1940 Catlett became the first student to earn a master's degree of fine arts in sculpture at the University of Iowa. The Regionalist painter Grant Wood (Wood, Grant), a professor at the university at the time, encouraged her to present images drawn from black culture and experience and influenced her decision to concentrate on sculpture. After holding several teaching positions and continuing to expand her range of media, Catlett went to Mexico City in 1946 to work at the Taller de Gráfica Popular, an artists' collective. There, along with her then-husband, the artist Charles White, she created prints depicting Mexican life. As a left-wing activist, she endured investigation by the House Un-American Activities Committee during the 1950s. About 1962 she took Mexican citizenship.

      Catlett is known largely for her sculpture, especially for works such as Homage to My Young Black Sisters (1968) and various mother-child pairings, the latter of which became one of her central themes. She was also an accomplished printmaker who valued prints for their affordability and hence their accessibility to many people. Catlett alternately chose to illustrate famous subjects, such as Harriet Tubman and Malcolm X, and anonymous workers—notably strong, solitary black women—as depicted in the terra-cotta sculpture Negro Woman (c. 1960) and the prints Sharecropper (1968) and Survivor (c. 1978).

Additional Reading
Jeanne Zeidler (ed.), Elizabeth Catlett: Works on Paper, 1944–1992 (1993); Lucinda H. Gedeon (compiler), Elizabeth Catlett Sculpture: A Fifty-Year Retrospective (1998); Melanie Anne Herzog, Elizabeth Catlett: American Artist in Mexico (2000).

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Universalium. 2010.

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  • Elizabeth — /i liz euh beuhth/, n. 1. Douay Bible. Elisabeth. 2. (Elizaveta Petrovna) 1709 62, empress of Russia 1741 62 (daughter of Peter the Great). 3. (Pauline Elizabeth Ottilie Luise, Princess of Wied) ( Carmen Sylva ) 1843 1916, queen of Rumania 1881… …   Universalium

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