perfume

—perfumeless, adj. —perfumy, adj.

n. /perr"fyoohm, peuhr fyoohm"/; v. /peuhr fyoohm", perr"fyoohm/, n., v., perfumed, perfuming.

n.

1. a substance, extract, or preparation for diffusing or imparting an agreeable or attractive smell, esp. a fluid containing fragrant natural oils extracted from flowers, woods, etc., or similar synthetic oils.

2. the scent, odor, or volatile particles emitted by substances that smell agreeable.

v.t.

3. (of substances, flowers, etc.) to impart a pleasant fragrance to.

4. to impregnate with a sweet odor; scent.

[1525-35; earlier parfume (n.) < MF parfum, n. deriv. of parfumer (v.) < obs. It parfumare (mod. profumare). See PER-, FUME]

Syn. 1. essence, attar, scent; incense. 2. PERFUME, AROMA, FRAGRANCE all refer to agreeable odors. PERFUME often indicates a strong, rich smell, natural or manufactured: the perfume of flowers. FRAGRANCE is usually applied to fresh, delicate, and delicious odors, esp. from growing things: fragrance of new-mown hay. AROMA is restricted to a somewhat spicy smell: the aroma of coffee.

Ant. 2. stench.

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Fluid preparation used for scenting, composed of natural essences or synthetics and a fixative.

Perfumes are concocted by the artful blending of certain fragrant substances in appropriate proportions. The art of perfumery was apparently known to the ancient Chinese, Hindus, Egyptians, Israelites, Carthaginians, Arabs, Greeks, and Romans; references to perfumes are found in the Bible. Raw materials used in perfumery include natural products, of plant or animal origin, and synthetic materials. Fine perfumes may be blends of more than 100 ingredients.

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      fragrant product that results from the artful blending of certain odoriferous substances in appropriate proportions. The word is derived from the Latin per fumum, meaning “through smoke.” The art of perfumery was apparently known to the ancient Chinese, Hindus, Egyptians, Israelites, Carthaginians, Arabs, Greeks, and Romans. References to perfumery materials and even perfume formulas are found in the Bible.

      Raw materials used in perfumery include natural products, of plant or animal origin, and synthetic materials. essential oils (q.v.) are most often obtained from plant materials by steam distillation. Certain delicate oils may be obtained by solvent extraction, a process also employed to extract waxes and perfume oil, yielding—by removal of the solvent—a solid substance called a concrete. Treatment of the concrete with a second substance, usually alcohol, leaves the waxes undissolved and provides the concentrated flower oil called an absolute. In the extraction method called enfleurage, petals are placed between layers of purified animal fat, which become saturated with flower oil, and alcohol is then used to obtain the absolute. The expression method, used to recover citrus oils from fruit peels, ranges from a traditional procedure of pressing with sponges to mechanical maceration. Individual compounds used in perfumery may be isolated from the essential oils, usually by distillation, and may sometimes be reprocessed to obtain still other perfumery chemicals.

      Certain animal secretions contain odoriferous substances that increase the lasting qualities of perfumes. Such substances and some of their constituents act as fixatives, preventing more volatile perfume ingredients from evaporating too rapidly. They are usually employed in the form of alcoholic solutions. The animal products include ambergris from the sperm whale, castor (also called castoreum) from the beaver, civet from the civet cat, and musk from the musk deer.

      Odour characteristics ranging from floral effects to odours unknown in nature are available with the use of synthetic, aromatic materials.

      Fine perfumes may contain more than 100 ingredients. Each perfume is composed of a top note, the refreshing, volatile odour perceived immediately; a middle note, or modifier, providing full, solid character; and a base note, also called an end note or basic note, which is the most persistent. Perfumes can generally be classified according to one or more identifiable dominant odours. The floral group blends such odours as jasmine, rose, lily of the valley, and gardenia. The spicy blends feature such aromas as carnation, clove, cinnamon, and nutmeg. The woody group is characterized by such odours as vetiver (derived from an aromatic grass called vetiver, or khuskhus), sandalwood, and cedarwood. The mossy family is dominated by an aroma of oak moss. The group known as the Orientals combines woody, mossy, and spicy notes with such sweet odours as vanilla or balsam and is usually accentuated by such animal odours as musk or civet. The herbal group is characterized by such odours as clover and sweet grass. The leather–tobacco group features the aromas of leather, tobacco, and the smokiness of birch tar. The aldehydic group is dominated by odours of aldehydes, usually having a fruity character. Fragrances designed for men are generally classified as citrus, spice, leather, lavender, fern, or woody.

      Perfumes are usually alcoholic solutions. The solutions, generally known as perfumes but also called extraits, extracts, or handkerchief perfumes, contain about 10–25 percent perfume concentrates. The terms toilet water and cologne are commonly used interchangeably; such products contain about 2–6 percent perfume concentrate. Originally, eau de cologne was a mixture of citrus oils from such fruits as lemons and oranges, combined with such substances as lavender and neroli (orange-flower oil); toilet waters were less concentrated forms of other types of perfume. Aftershave lotions and splash colognes usually contain about 0.5–2 percent perfume oil. Recent developments include aerosol sprays and highly concentrated bath oils, sometimes called skin perfumes.

      Perfumes employed to scent soaps, talcums, face powders, deodorants and antiperspirants, and other cosmetic products must be formulated to avoid being changed or becoming unstable in the new medium. They must also be formulated so as to avoid unacceptable alterations in the colour or consistency of the product.

      Industrial perfumes are employed to cover up undesirable odours, as in paints and cleaning materials, or to impart a distinctive odour, as in the addition of leather odours to plastics used for furniture coverings and the addition of bread odours to wrapping papers used for breads.

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